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Tools for Practical Dreaming | 203<br />

elderly members of the community. Whether you re-create the same<br />

kind of program that originally connected you with poetry or<br />

decide to do something new, the most important thing is that you<br />

work out of a sense of what matters most to you.<br />

E. Ask: can we begin any of these programs under current conditions,<br />

with available or easily obtained resources? If not, how can we break<br />

them down into smaller parts that can be tackled one at a time?<br />

ASSESS NEEDS<br />

You’ve begun the work of assessing needs. You may not have performed<br />

a formal needs assessment, but in the section above, you and your group<br />

members responded to your needs, your sense that something is lacking<br />

in your lives or in the life of your community, and you would like to address<br />

this lack.<br />

It’s a good idea to get as precise a sense as possible of what the need<br />

actually is. If several readings a week are held in your town, yet you still feel<br />

the need for another, identify for yourself and your group just what is missing.<br />

Readings by local poets? Emerging poets? Poets writing in Spanish,<br />

Yiddish, or some other language? A kind of event that is either more or less<br />

structured than what you have? You need to know. Thus, it’s a good idea to<br />

do a needs assessment that is as thorough as you can manage.<br />

Consider your Community<br />

If you live in (or want to create a program for) a very small community—a<br />

small town, a school, a neighborhood, even a geographically spread<br />

out but otherwise well-defined ethnic group—this may appear to be a<br />

fairly simple matter. Assessing your community includes looking at demographics,<br />

habits, and activities. But even in the case of a small community, it<br />

doesn’t hurt to look around, maybe even to make a few calls, to both prevent<br />

duplication and avoid unnecessary competition among different programs.<br />

Even if your high school program focuses on literary poets, there’s<br />

no point in discovering too late that you’ve scheduled an event on the same<br />

night as the weekly high school slam.<br />

In a very small community, you probably don’t want to schedule your<br />

events against any other community event or gathering. In this case, your<br />

assessment will survey not only literary events but also all events taking<br />

place within a given period and geographical area. Even if the events are

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