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266 | toolkit: sandpaper, wallpaper, and paint<br />
nervous about your ability to think on your feet—and who isn’t, especially<br />
at first—jot down some notes that will help you recall your own thoughts<br />
about the poets and about the program. If you are prepared and interesting,<br />
the interviewer will be more likely to invite you back in the future.<br />
Radio interviews require only that you dress neatly and reasonably<br />
professionally to help the interviewer take you seriously—unless you’re<br />
doing the interview by phone, in which case nobody can see that you’re<br />
still in your pajamas. (According to one school of thought, you’ll always be<br />
too lackadaisical during a phone interview if you’re in your pajamas, but we<br />
think this is very person dependent. Some are lackadaisical no matter what<br />
they have on; others are energetic even in their jammies.)<br />
If you’re asked to do an interview for television, consider carefully what<br />
to wear. Some arts lovers think this sort of concern is beneath them, but the<br />
attention of the interviewer and the viewer should be on your program or<br />
event, not on your clothes. Your outfit should be becoming according to<br />
your own lights, and it absolutely should reflect who you are. You don’t<br />
need to wear a suit if you wouldn’t in “real life,” but your clothing should<br />
reflect the best, most public version of who you are, as if, for example, you<br />
were interviewing for your dream job, presumably with like-minded people<br />
you want to impress.<br />
Too much skin, whether you are a woman or a man, is distracting, as is<br />
underwear that shows, even if in a hip and trendy way. If you’re not sure<br />
you can walk confidently, perhaps even up and down a few flights of stairs,<br />
in whatever shoes and skirt or pants you plan to wear, test drive them in<br />
advance. If you plan to wear a skirt, put it on beforehand and sit down on<br />
chairs of several heights in front of a mirror, looking at views from the side<br />
and the front to make sure you won’t reveal more than you mean to if<br />
there’s no table between you and the camera. The same goes for low-cut<br />
shirts and pants that ride low. You don’t want to spend the whole interview<br />
tugging at your clothing—or, worse, see the segment later and discover you<br />
were overexposed. If you wear makeup, a light touch is best.<br />
Finally, practice talking in front of a few friends who can tell you about<br />
any physical and verbal tics that might be annoying on camera—slouching,<br />
shrugging, scratching, biting your nails or chewing your hair, saying “you<br />
know” a lot, whatever. You want to be, and look, alert, composed, and interested<br />
in what is happening. Ask only people you trust to be honest and<br />
kind—and if you do ask for advice, listen to what your advisors say, even (or<br />
especially) if they’re your friends. Don’t get defensive or upset.