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Finishing Tools for the Event Itself | 269<br />

is water at the podium or table, that there are enough chairs, and that the<br />

sound system, if you have one, works.<br />

Introductions<br />

Introductions are important in setting the mood for the evening and in<br />

helping poets feel welcome and appreciated. Begin by introducing yourself—name<br />

and affiliation only. Thank your sponsors and supporters, the<br />

people who run your venue, and anyone else who contributed significantly<br />

to the event. Let everyone know when and where the next event will be.<br />

Remind audience members to turn off their cell phones. If there will be a<br />

signing after the presentation, announce it. Finally, introduce your poet or<br />

poets.<br />

Ideally, the introduction of a poet should include mention of her major<br />

awards and recent books and communicate something interesting about her<br />

work. This last bit should be smart above all and respectful but not fawning.<br />

You can be witty but not at the poet’s expense (being witty at your own<br />

expense is fine, as long as you don’t overdo it—the introduction should be<br />

about the poet, not about you). Whoever introduces the poet must read<br />

her work before she arrives—as much of it as possible. If that person is you,<br />

there are advantages beyond helping you make a good introduction; for one<br />

thing, it gives you something to talk with the poet about over dinner or<br />

during car trips. It also, as we said, helps the poet feel welcome and appreciated.<br />

As we already know, an appreciated poet is likely to be a happy,<br />

pleasant poet.<br />

An introduction needs to do a lot of things in a short time. Because<br />

your audience is there to hear the poet or poets, not the introducer, no<br />

introduction should ever go longer than five minutes (three is better) or, at<br />

the very most, 10 percent of the allotted presentation time, which is usually<br />

forty-five to fifty minutes for a single presenter. If you are introducing multiple<br />

poets, adjust accordingly; for a large panel, it may be best simply to say<br />

the poets’ names and refer the audience to the program or bio sheet. After<br />

you compose your remarks, read them aloud before the event to make sure<br />

they come in under time.<br />

When you take your seat, your job during a reading, talk, panel, class, or<br />

other kind of presentation is to be the best listener in the house. You may be<br />

busy and preoccupied with logistics, but take this time to give yourself over<br />

to the pleasures of poetry and the intellectual life you helped create. This is

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