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Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

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the muscle tone resulting in isometric contractions. Isometric and<br />

isotonic contractions represent the two forms <strong>of</strong> activity <strong>of</strong> the muscle<br />

system.<br />

In the light <strong>of</strong> these observations, the muscle system can be seen as a<br />

provider <strong>of</strong> information on body activity and muscle tone combinations.<br />

According to the psycho-physiological model, resting makes the<br />

unification <strong>of</strong> different levels possible. The possibility <strong>of</strong> materially<br />

resting is a necessary precondition for other harmonious motor, dynamic<br />

and relational operations.<br />

In the light <strong>of</strong> these basic assumptions, the experimental situations<br />

referred to above are analysed in two separate sections.<br />

SECTION ONE: VIOLINISTS<br />

(by Dr. Silvia Ragni)<br />

The musician’s body, as construed later in this paper, is <strong>of</strong>ten absent from<br />

music discourses, although it is a musician’s first and foremost<br />

instrument <strong>of</strong> expression. Through his or her body, a musician gets in<br />

touch with the musical instrument in order to produce a sound. Yet the<br />

body is usually absent from the performer’s perception, as well as from<br />

the teacher’s pedagogic approach. Traditionally, teaching systems tend to<br />

selectively focus on those parts <strong>of</strong> the body which are directly involved in<br />

the performance, — namely, fingers, hands, arms, rather than on the<br />

body as an integrated unit. Similarly, one finds a stress on mechanical<br />

movements rather than on psycho-physical experience. It is only over the<br />

1362

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