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Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

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Cultural aspects <strong>of</strong> mental health care is a hotly debated subject in<br />

Britain. Research has included anthropological fieldwork (Carstairs and<br />

Kapur 1976), the nature and outcome <strong>of</strong> psychotic illness in ethnic<br />

groups (Chen et al 1996), the validity <strong>of</strong> assessment procedures when<br />

working with ethnic groups (Abas et al 1998), and the over-<br />

representation <strong>of</strong> ethnic groups in psychiatric provision (Coid et al 2000).<br />

The literature discusses theory and practice and discusses the<br />

implications <strong>of</strong> culture for services and treatments (Fernando 1995) as<br />

part <strong>of</strong> a move towards a better understanding <strong>of</strong> the needs <strong>of</strong> ethnic<br />

minorities.<br />

Research Questions<br />

Having reviewed the literature I felt there was a need to research the issue<br />

<strong>of</strong> culture from the music therapy client’s perspective and the following<br />

questions needed to be addressed:<br />

Is racial and cultural identity an issue in music therapy groups?<br />

Is acknowledgement <strong>of</strong> a client's personal musical preferences and<br />

cultural influences important in establishing a therapeutic relationship?<br />

Does a working knowledge <strong>of</strong> ethnomusicology enhance musical<br />

communication with clients from different ethnic backgrounds?<br />

Are there certain aspects <strong>of</strong> the indigenous music <strong>of</strong> different cultures<br />

that may have important implications for clinical improvisation in music<br />

therapy?<br />

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