28.02.2013 Views

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

The Assessment Process<br />

Following a referral, a lengthy discussion takes place with the parents.<br />

At this time we explain exactly what music therapy is, what we will be<br />

looking for in the assessment, their role and the structure <strong>of</strong> the session.<br />

• We emphasise the therapy aspect <strong>of</strong> music therapy and that during the<br />

assessment we will be looking at the non musical use <strong>of</strong> the space as<br />

well as the musical.<br />

• We stress that there are no musical rights and wrongs, that their child<br />

does not have to play if they do not want to and that it is not about<br />

passing or failing a test.<br />

• We explain that we will not only be assessing the child’s ability to use<br />

music for interactive and expressive purposes, but also their emotional<br />

needs and difficulties.<br />

• We describe the proposed format <strong>of</strong> the session, that there will be a<br />

welcome song, an instrumental section, a concluding song and an<br />

opportunity for discussion at the end.<br />

Sometimes at this stage, parents say, “Oh this is not what I thought music<br />

therapy was. I don’t think it is what I want for my child.” Sometimes,<br />

what parents are really looking for are music sessions and we are able to<br />

suggest more appropriate musical input.<br />

In the assessments we found that it was more effective if we split our<br />

roles. One <strong>of</strong> us acts as “the lead therapist” taking a more proactive role,<br />

leading the session both verbally and musically. The other therapist<br />

remains at the piano throughout and takes a musical and observational<br />

role. This allows the leading therapist to be subjective so that the person<br />

at the piano can be more objective.<br />

516

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!