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Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

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she sang. Jane appeared excited and flattered at this new attention she<br />

was receiving.<br />

<strong>Music</strong> therapy sessions continued daily for 2 weeks before the topic <strong>of</strong><br />

song writing was discussed. This came about during an improvisation by<br />

the music therapist aimed at reflecting Jane’s feelings on a particular<br />

day. She had thought it amusing. It was agreed that the words <strong>of</strong> a<br />

favourite song could be changed to better reflect how she felt. Hence a<br />

song parody exercise began. Jane altered the words to the tune “What’s<br />

Up” by the 4 Non-blondes with minimal assistance from the music<br />

therapist. She chose this medium to express how she felt about her<br />

ongoing chronic illness and the daily battles she faced.<br />

Jane decided that she should “perform” this song for the staff. A concert<br />

was hosted in her room where 30 – 40 people attended. Jane’s mother<br />

and aunt provided food and drinks adding to the party atmosphere. The<br />

concert was a great success. Each song was accompanied by guitar and<br />

select percussion. Her song choices included favourites such as<br />

Aladdin’s A Whole New <strong>World</strong>, and songs that were suggestive <strong>of</strong> her<br />

unresolved fears such as Eric Clapton’s Tears in Heaven. Her song<br />

parody had references to suicidal ideations. This had been discussed in<br />

music therapy and with Jane’s permission a copy <strong>of</strong> the words had been<br />

forwarded to the psychiatrist. He chose to attend the concert and discuss<br />

this rather than directly discuss the song words.<br />

<strong>Music</strong> therapy provided Jane with much needed psychosocial support<br />

during her long hospital treatments. Song writing had enabled her to<br />

express thoughts and feelings she had been unable to discuss with her<br />

family or doctors. Performing allowed her to experience mastery and to<br />

have some control over aspects <strong>of</strong> her life again. Positive feedback from<br />

staff and peers boosted her feelings <strong>of</strong> self esteem, evidenced in increased<br />

social interaction, laughing, smiling and a more relaxed state during<br />

and after music therapy sessions. Staff reported that Jane would hum all<br />

afternoon and be more approachable and more willing to comply with<br />

treatments after sessions<br />

Lansky & associates (1993) viewed adolescent refusal to comply with<br />

treatment as their way <strong>of</strong> asserting their independence and to demonstrate<br />

that they are in charge <strong>of</strong> their own lives. They stated that providing<br />

17

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