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Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

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symptomatic <strong>of</strong> his condition. Although he clearly deserved to be given<br />

musical instruction, there was little probability <strong>of</strong> a “<strong>Music</strong> Child” here.<br />

Changing my approach<br />

Fortuitously, the arrival <strong>of</strong> J. coincided with my decision to revise my<br />

clinical approach by studying with Dr. Colin Lee, who had the year<br />

before become my successor as Director <strong>of</strong> the <strong>Music</strong> <strong>Therapy</strong> Program<br />

at Wilfrid Laurier University in Waterloo, Ontario. Although I had had<br />

many years <strong>of</strong> clinical experience and extensive work with autistic<br />

persons, including the TEACCH Program out <strong>of</strong> the University <strong>of</strong> North<br />

Carolina, most <strong>of</strong> this was either strictly behavioral or geared more to<br />

special education.<br />

My sessions with Colin were as terrifying as they were challenging.<br />

Looking back, it seems as if it was more that just serendipity that placed<br />

the three <strong>of</strong> us together in that time and place and under those<br />

circumstances.<br />

Search for the music child<br />

It was hard going for both J. and myself and, I strongly suspect, for Colin<br />

as well. I wanted to use clinical improvisation with J. so I invited Colin<br />

to an early session. He too was challenged. My work with J. became the<br />

laboratory for my new training which consisted <strong>of</strong> analysis <strong>of</strong> audiotaped<br />

sessions. We were searching for J’s “<strong>Music</strong> Child”, if indeed there was<br />

one to be found. However, while I valiantly tried to improve own my<br />

skills to facilitate this goal, J’s goal was very different. He simply<br />

wanted to entertain himself by entertaining me, his audience, with his<br />

551

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