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Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

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The emerging themes were uncovered in words and phrases generated by<br />

myself, the AIR participant Henry, and another music therapist, Dorothy,<br />

after either one or a combination <strong>of</strong> the following data analysis was used:<br />

1) watching a video taped segment one or more times and commenting<br />

verbally or in writing<br />

2) listening to audio tape one or more times and commenting verbally or<br />

in writing<br />

3) review <strong>of</strong> comments made by myself and the other reviewers<br />

Emerging themes were also gleaned from:<br />

4) statements from participants taken directly from session dialogue,<br />

found quoted or paraphrased in session notes or heard on recordings<br />

I chose the taped segments that would be reviewed, and I analyzed the<br />

data. In many places, words had to be interpreted or “translated” from<br />

musical excerpts, and this was the most interesting and challenging.<br />

I chose the reviewer, client/participant Henry, mainly for practical<br />

purposes. He is a good communicator, he is available and easy to get in<br />

touch with (has a phone and a stable residence,) he keeps appointments<br />

and arrives on time, and he is eager to be involved with anything related<br />

to music. I chose Dorothy for peer review because she is an experienced<br />

music therapist who has worked with under-served and psychiatric<br />

patients, and she has learned symbolic and interpretive skills that apply to<br />

music and human interaction through her clinical work and advanced<br />

1448

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