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Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

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instead toward the camera. My playing the drum seemed to help him<br />

refocus his attention so that our little interactive game could go on. His<br />

facial expression here seemed to communicate enjoyment.<br />

The goals for treatment at this point in time were to develop interactive<br />

competencies, in this case the abilities to focus and maintain attention, to<br />

explore the environment, to experience and develop the ability to<br />

influence events within the therapy setting.<br />

Strategies for therapy<br />

Orff <strong>Music</strong> <strong>Therapy</strong> uses responsive interaction as the basis for<br />

therapeutic procedures. Responsive interaction resembles the natural<br />

interaction between parents and their very young child. The child sends<br />

out signals, the adult interprets these and responds to them. These<br />

behaviors and stimuli cause changes in the child’s behaviors and<br />

abilities, which cause adaptations <strong>of</strong> the adult’s behavior (Sarimski,<br />

1993; Papousek, 1994; Durkin, 1995). In therapy, the therapist changes<br />

her way <strong>of</strong> playing with, communicating with or stimulating the child to<br />

match the child’s abilities at his present level <strong>of</strong> development.<br />

Lukas’ spontaneous play behavior, knocking on objects with his hand or<br />

another object and throwing things, was used as the basis from which<br />

interactive games using music or musical elements were developed.<br />

Additionally, well known children’s songs and situation songs<br />

improvised to support the course <strong>of</strong> play were used. During the first four<br />

sessions we continued to observe a short attention span, but musical<br />

sounds usually caught his attention and enabled us to continue the<br />

activity he had just left. He showed great difficulties in following the<br />

1765

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