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Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

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However, we must continuously investigate the significant differences in<br />

subjective tempos and non-subjective tempos, or in listening to music and<br />

after listening to music, in evaluating the efficacy <strong>of</strong> music therapy for<br />

people with senile dementia. We know the channels <strong>of</strong> significant<br />

differences are in the theta 1 and theta 2 bands, and these bands are also<br />

the relaxation mode EEGs <strong>of</strong> people suffering from senile dementia (see<br />

Figure 4)<br />

4. It is considered from examining breathing rates during and after clients<br />

listen to music that subjective tempos are comfortable and in the<br />

relaxation modes <strong>of</strong> the severe and non-severe dementia groups. Non-<br />

subjective tempos are not so suitable for people suffering from severe<br />

senile dementia, because clients’ breathing rates suddenly increase and<br />

decrease during and after listening to non-subjective tempos.<br />

Conclusion<br />

1. The subjective tempo is the key to opening the hearts <strong>of</strong> clients,<br />

particularly persons with senile dementia. The Subjective tempo <strong>of</strong> M.M.<br />

= 80 is a checkpoint for their level <strong>of</strong> dementia.<br />

2. It is suggested that the EEG analysis are useful in evaluating the<br />

efficacy <strong>of</strong> music therapy practice for those with senile dementia.<br />

3. Presenting familiar music with subjective tempos to elderly people<br />

suffering from dementia is very effective in vitalizing their cerebral<br />

function.<br />

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