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Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

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cases, conflicts may result in an interruption <strong>of</strong> communication, which<br />

therefore ceases to be co-regulated.<br />

The co-regulation coding system, therefore contains a series <strong>of</strong> categories<br />

that describe forms <strong>of</strong> communicative processes that are qualitatively<br />

different, from the creation <strong>of</strong> the reciprocal and innovative action to an<br />

absence <strong>of</strong> communication that can be observed between the participants.<br />

(FOGEL, 2000) The category is a set <strong>of</strong> actions grouped according to the<br />

characteristics <strong>of</strong> the communicative process that can be qualitatively<br />

identified in a given timeframe. Each category mutually excludes<br />

another with different qualitative characteristics.<br />

Another dimension <strong>of</strong> the decoding system is the identification <strong>of</strong> frames.<br />

Frames consist in the situations that provide the background to the<br />

interaction and which, in a given place, time and environment, organise<br />

the partners’ co-actions, thus restricting the range and characterising<br />

some <strong>of</strong> its processes. Frames are therefore large segments <strong>of</strong> co-actions<br />

that have a coherent theme and lead to certain particular forms <strong>of</strong> specific<br />

co-orientation between the participants.<br />

4. THE RESEARCH PROJECT IN MUSIC THERAPY<br />

4.1 Premise<br />

The adaptation <strong>of</strong> the Co-regulation Coding System to music therapy is a<br />

clinical research project. It develops on both the qualitative level, in<br />

order to suit the needs <strong>of</strong> clinical work such as unrepeatability and the<br />

variability <strong>of</strong> the phenomena under examination and on a quantitative<br />

54

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