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Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

Proceedings, Oxford, UK (2002) - World Federation of Music Therapy

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• Instrumental technique: C#4 is played in first position with the middle<br />

finger: a finger with a strong joint suitable for playing. This<br />

corresponds to a “down-bow” (from the heel to the head <strong>of</strong> the bow)<br />

and in the indicated (ascending) sequence is considered comfortable to<br />

use since it is the third sound emitted when the initial adjustment phase<br />

is over;<br />

• Harmonic reasons: in an A-major tonality C # corresponds to the<br />

modal note or character note that determined the tonality. Therefore it<br />

is truly representative <strong>of</strong> this tonality.<br />

All the C# <strong>of</strong> the ascending octave played by the 20 violinists were<br />

extracted and copied in a specific musical File. Careful attention was<br />

paid to the various body parts indicated by the experimenter as well as<br />

the “free position” chosen as a baseline. 10 tests per musician were<br />

analysed, amounting to a total <strong>of</strong> 200 tests.<br />

Spectral analysis was carried out on these sounds using the above-<br />

mentioned Cool Edit Pro version 1.2. The following parameters <strong>of</strong> sound<br />

were recorded:<br />

• Intensity, measured in decibel;<br />

• Length, measured in minute seconds;<br />

• Frequency, measured in Hertz musically expressing the pitch <strong>of</strong> the<br />

first harmonic or fundamental note. This corresponds to the intonation<br />

<strong>of</strong> that sound.<br />

In order to carry out a statistical analysis, the latter values were then<br />

changed into their logarithmic values.<br />

A chart was plotted for each parameter showing the values corresponding<br />

to each position <strong>of</strong> every musician.<br />

The “free” posture was considered as a baseline value.<br />

1371

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