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seventh world of chan buddhism - Zen Buddhist Order of Hsu Yun

seventh world of chan buddhism - Zen Buddhist Order of Hsu Yun

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OTHER FORMS OF MEDITATION<br />

The word Chan comes from the Sanskrit word dhyana. The English cognate is dwell.<br />

The Proto-Indo-European word was *dh(e)wel - to obscure, darken and deceive, hold up,<br />

hinder, and therefore to stop and remain.<br />

There are many ways to allow something to dwell in our minds. Japanese <strong>Zen</strong> usually<br />

confines itself to no-thought or mind-blanking meditations - a mind in which nothing dwells;<br />

but in Chinese Chan, once the basics <strong>of</strong> breath control are mastered, we use any form <strong>of</strong><br />

meditation that works.<br />

MEDITATION ON AN OBJECT ("with seed")<br />

1. Before sitting down to meditate, select an ordinary household or <strong>of</strong>fice<br />

object such as a coat-hanger, a pencil, a stapler remover, a wooden drawer,<br />

or a picture frame, nothing too complicated. It is absolutely necessary that<br />

the object be selected before you sit down. If you wait until after you are<br />

seated, your mind will play tricks on you. You'll spend 98% <strong>of</strong> your<br />

allotted time trying to decide on an object.<br />

2. Sit in full or half-lotus and bow to the Buddha within, review your recent<br />

conduct, making the necessary resolutions, and so on.<br />

3. Perform as many deep breaths <strong>of</strong> 1:4:2 ratio as you need to get into alpha.<br />

Sometimes you may lose yourself in this breathing exercise and may<br />

descend into deep meditation, coming out <strong>of</strong> it slowly without having<br />

gotten to the object you selected. Don't try to force yourself back into a<br />

meditative state just for the sake <strong>of</strong> your object. Consider the experience<br />

as the performance <strong>of</strong> a valid meditation on the breath itself, i.e., that the<br />

breath had become your meditative object.<br />

4. Consider each attribute <strong>of</strong> the object you have selected and visualize it<br />

without naming it. Avoid using words. If you have selected a yellow<br />

wooden pencil then visualize a round or hexagonal piece <strong>of</strong> wood. See the<br />

wooden shape. After you have seen wood, see yellow. Again, don't think<br />

the word yellow. Just see the color. See the black dot (if unsharpened) or<br />

point <strong>of</strong> graphite. Then see the metal collar, with its rings and clamping<br />

indentations. See the eraser. Then see the whole pencil. Let your mind<br />

trace along - without actually reading - the printing on the pencil...<br />

perhaps "No. 2" or "Ticonderoga." By this time the pencil, much larger<br />

than life, should be glowing in your mind. Hold your attention on it as if it<br />

were an object <strong>of</strong> great wonder. It will definitely seem to be so.<br />

CHAPTER 19 RIGHT MEDITATION<br />

S EVENTH W ORLD O F C HAN B UDDHISM<br />

197

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