seventh world of chan buddhism - Zen Buddhist Order of Hsu Yun
seventh world of chan buddhism - Zen Buddhist Order of Hsu Yun
seventh world of chan buddhism - Zen Buddhist Order of Hsu Yun
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She must have paid a fortune for it. I remember seeing it years ago and it still looks the same.<br />
So s<strong>of</strong>t... Too bad I'm not into Duncan Phyfe. Lord, she ought to recover those chairs! The<br />
armrests are positively grungy. But this rug... I'll bet it's a real oriental. Yes... This must be<br />
the one she bought in Cairo. That breeze means business. I wonder if I left the car windows<br />
down. She'd better get that branch cut back or one <strong>of</strong> these days it'll break the glass. Eleven<br />
o'clock! Ah, that's the old Hamilton chimer Daddy says is rightfully his. I hope I can get out<br />
<strong>of</strong> here by noon. I wonder if she plans to leave this place to me."<br />
This description <strong>of</strong> things viewed through the intervening ego is the distortion <strong>of</strong><br />
reality, Samsara or Form.<br />
There is no intrinsic difference between Form and Emptiness. We merely perceive<br />
them differently.<br />
In both Samsara and Nirvana the room was the same. But in Nirvana there was no<br />
judgmental scrutiny or evaluation. There were no memories or plans, no `before and after,'<br />
no `what used to be,' or `what will be,' or `what should be.' There was no prejudicial I or me.<br />
In Nirvana there only `is.' And the perception <strong>of</strong> what `is' is direct, spontaneous, and, as it<br />
happens, accompanied by pr<strong>of</strong>ound joy and serenity.<br />
We speak <strong>of</strong> the six <strong>world</strong>s <strong>of</strong> Samsara because <strong>of</strong> the six types <strong>of</strong> human beings who<br />
inhabit it. People are categorized according to the manner in which their ego accomplishes<br />
its distortion <strong>of</strong> reality. Each type or `<strong>world</strong>' represents a style <strong>of</strong> adaptation, a pattern <strong>of</strong><br />
response or method <strong>of</strong> coping with the exigencies <strong>of</strong> life. Every individual, from the time <strong>of</strong><br />
his infancy on, through trial and error determines which style suits him best and is most<br />
efficient in gaining him the attention and the status he craves. The six <strong>world</strong>s, then, may be<br />
considered six basic survival strategies. (Their identification, incidentally, constitutes the<br />
oldest psychology system in history.)<br />
In Buddhism, we learn to recognize these six strategies, not so that we may identify<br />
them in others, though that can be helpful if the observations are objective, instructive, and<br />
non-accusatory, but so that we may learn to identify them in ourselves whenever we use them<br />
to evade responsibility, to maneuver other people into acting in our best interests, to gain us<br />
whatever advantages we seek, and so on.<br />
In the every day <strong>world</strong> <strong>of</strong> samsaric existence, every person in every society uses one<br />
<strong>of</strong> these strategies. But we shall first describe them as they are found in religious life. In<br />
monasteries, temple complexes and Chan Centers, monks and devotees who are still caught<br />
on the samsaric wheel are jokingly said to practice Six Worlds' Chan.<br />
The six classifications are Hungry Ghost Chan, Devil Chan, Human Being Chan,<br />
Animal Chan, Titan Chan, and Angel Chan. Again, these are not Chan but are merely styles<br />
<strong>of</strong> adaptation used by egos that have religious pretensions. (In Japanese <strong>Zen</strong> these<br />
classifications are called, respectively, Gaki, Jigoku, Ningen, Chikusho, Shura, and Tenjo. In<br />
CHAPTER 5 SIX WORLDS OF SAMSARA<br />
S EVENTH W ORLD O F C HAN B UDDHISM<br />
57