Volume 16–1.pdf
Volume 16–1.pdf
Volume 16–1.pdf
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BOLD<br />
He didn't tell jokes. He was really a vocalist... or a<br />
dancer... or a genuine mime. But when Danny rat<br />
tied off one of his tongue-twister songs, when he<br />
parodied an opera star with hay fever, a crazed co<br />
ssack dancer, a shlemiel cowboy...when he spout<br />
ed streams of nonsense syllables in perfect Japan<br />
ese, French or German intonations, mascara fib<br />
wed and grown men wept with laughter. And whe<br />
n, with manic frenzy, he conducted a symphony o<br />
rchestra in The Flight of the Bumble Bee with a fl<br />
y swatter, he so convulsed the musicians they cou<br />
ld barely read their scores or blow their horns. H<br />
e made children giggle, and he charmed the royal<br />
family of England into beating time and singing al<br />
ong with him. Danny Kaye was one of those born<br />
entertainers who comes our way once in a lifetim<br />
e. And working alongside him—writing his music<br />
al material and guiding his career for 40 years—w<br />
as his partner and wife, Sylvia Fine. Danny and Sy<br />
BOLD ITALIC<br />
He didn't tell jokes. He was really a vocalist. . . o<br />
r a dancer. . . or a genuine mime. But when Dan<br />
ny rattled off one of his tongue-twister songs, w<br />
hen he parodied an opera star with hay fever, a<br />
crazed cossack dancer, a shlemiel cowboy. . .w<br />
hen he spouted streams of nonsense syllables i<br />
n perfect Japanese, French or German intonati<br />
ons, mascara flowed and grown men wept with<br />
laughter. And when, with manic frenzy, he con<br />
ducted a symphony orchestra in The Flight of t<br />
he Bumble Bee with a fly swatter, he so convuls<br />
ed the musicians they could barely read their sc<br />
ores or blow their horns. He made children gig<br />
gle, and he charmed the royal family of Englan<br />
d into beating time and singing along with hi<br />
m. Danny Kaye was one of those born entertain<br />
ers who comes our way once in a lifetime. And<br />
working alongside him—writing his musical<br />
material and guiding his career for 40 years—<br />
BLACK<br />
He didn't tell jokes. He was really a vocalist o<br />
r a dancer... or a genuine mime. But when Dan<br />
ny rattled off one of his tongue-twister songs, w<br />
hen he parodied an opera star with hay fever, a<br />
crazed cossack dancer, a shlemiel cowboy...w<br />
hen he spouted streams of nonsense syllables i<br />
n perfect Japanese, French or German intonati<br />
ons, mascara flowed and grown men wept with<br />
laughter. And when, with manic frenzy, he con<br />
ducted a symphony orchestra in The Flight of t<br />
he Bumble Bee with a fly swatter, he so convuls<br />
ed the musicians they could barely read their sc<br />
ores or blow their horns. He made children gig<br />
gle, and he charmed the royal family of England<br />
into beating time and singing along with him.<br />
Danny Kaye was one of those born entertainers<br />
who comes our way once in a lifetime. And wor<br />
king alongside him—writing his musical mater<br />
ial and guiding his career for 40 years—was his<br />
BLACK ITALIC<br />
He didn't tell jokes. He was really a vocalist...<br />
or a dancer... or a genuine mime. But when D<br />
anny rattled off one of his tongue-twister song<br />
s, when he parodied an opera star with hayfev<br />
er, a crazed cossack dancer, a shlemiel cowbo<br />
y...when he spouted streams of nonsense sylla<br />
bles in perfect Japanese, French or German i<br />
abcdefghij klmnopqrstuvwxyz<br />
ABC DEFGHIJKLMNOPQRSTUVWXYZ<br />
1234567890&$¢£<br />
cOlECE13-0 - e<br />
abcdefghijklmnopqrstuvwxyz<br />
ABCDEFGHLIKLMNOPQRSTUVWXYZ<br />
1234567890&$OX%<br />
cOlECEBO&&<br />
15
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