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Volume 16–1.pdf

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74<br />

#1024<br />

Typographic Communications Today<br />

by Edward Gottschall<br />

If you want to see and understand today's<br />

many typographic design styles, how they<br />

evolved, and where they are headed, this<br />

book is for you. It is a critical review of the<br />

past hundred years of design all over the<br />

world. With over 900 large size illustra-<br />

tions, more than 500 in full color, it shows<br />

as well as tells about design trends and<br />

their significance. Numerous quotations<br />

by first-rate designers make this a treasury<br />

of the best and most provocative thinking<br />

about the hows and whys of typographic<br />

design. Full alphabets of more than 200 of<br />

the twentieth century typefaces are shown,<br />

and a major section is devoted to the effects<br />

of today's computer and laser technologies<br />

on what designers can do and how they can<br />

work. For a summary of the book, see the<br />

color section in the center of this issue<br />

of U&Ic.<br />

256 pages. 103/4 x 14 ,141900+ illustrations, 500+ in full<br />

color. Hardcover.<br />

#1024.<br />

Through June 30th, U.S./Canada price, $55.00.<br />

Outside U.S./Canada, $62.00.<br />

#1028<br />

Label Designs<br />

Edited by Lisa Walker and Steve Blount<br />

"If you can visually say a food product tastes<br />

good without ever using the words, that's it.<br />

You're home. If you feel as if you want to<br />

pick the product up and take a bit of it,<br />

wrapper and all, you've really done something:"<br />

So writes designer Primo Angeli in<br />

one of five designer essays up front in this<br />

unusual book. Unusual because it is so<br />

much more than a classified collection of<br />

the best labels in large sizes and full color.<br />

That it is too, but the designer essays<br />

(by Primo Angeli, Milton Glaser, Stephen<br />

and Stuart Berni, John Diefenbach, and<br />

R. Kim Finley) and the thoughtful introductions<br />

to the sections give one food for<br />

the mind as well as the eyes. The sections,<br />

by the way, are food, snacks, gourmet,<br />

material products, beverages, wines, liquor<br />

and beer, health and beauty, consumer<br />

goods, media products. There are indexes<br />

of products, clients, designer firms,<br />

designers and subjects. Selections are international.<br />

More than 200 design firms are<br />

represented.<br />

256 pages. 9 114 x 12 ,141 Over 450 color illustrations.<br />

Hardcover.<br />

#1028.<br />

U.S./Canada price, $49.95.<br />

Outside U.S. /Canada, $57.00.<br />

#1027<br />

British Design and Art Direction 1988<br />

Edited by Edward Booth-Clibborn<br />

A wonderful idea source for American<br />

designers who have been overexposed to<br />

their peers in the United States and Canada.<br />

This British Annual offers a fresh,<br />

bright, exciting and effective way of designing<br />

ads, packages, books, and a wide variety<br />

of collateral material for print and TV.<br />

It also looks at the best and brightest copy<br />

for all media, radio included. A stimulating<br />

book, especially because it shows you so<br />

much you haven't seen before, as well as a<br />

marvelous idea resource.<br />

In a foreword to an earlier edition the<br />

reader is advised to "study it, not to copy<br />

or imitate, but to learn what a free mind,<br />

given a bit of luck and a good chart, can<br />

produce:' Enjoyable as well as most<br />

helpful.<br />

576 pages. 8'/8x 11 ,121800+ illustrations, most in full<br />

color. Hardcover.<br />

#1027.<br />

U.S./Canada price, $69.00.<br />

Outside U.S./Canada, $76.00.<br />

#1031<br />

Graphis Poster 89<br />

Edited by B. Martin Pedersen<br />

A U&lc BookShop mail order exclusive.<br />

Thanks to TV there has been a decline in<br />

the commercial use of posters in recent<br />

years, but not a decline in their graphic<br />

quality. If anything, today's posters are<br />

fresher and more innovative and Graphis<br />

Poster 89 reflects this direction.<br />

Many graphic designers feel that the<br />

poster is the ultimate expression of their<br />

art. Graphis Poster 89—the only international<br />

annual of poster art—spotlights the<br />

best of this year's efforts by designers,<br />

illustrators and photographers from<br />

around the world.<br />

The 1989 collection has been chosen<br />

from thousands of entries sent from the<br />

world over—including Japan and Eastern<br />

Europe and are represented in the categories<br />

of advertising, culture, and society.<br />

The introduction to this year's annual has<br />

been provided by Ivan Chermayeff, one of<br />

the world's most honored and respected<br />

designers.<br />

256 pages. 9,12 x 12" Over 375 full color illustrations.<br />

Hardcover.<br />

#1031.<br />

U.S./Canada price, $65.00.<br />

Outside U.S./Canada, 118 Swiss francs.

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