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International Handbook of Clinical Hypnosis - E-Lib FK UWKS

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86 INTERNATIONAL HANDBOOK OF CLINICAL HYPNOSIS<br />

this is the Lothario who says, `Come up and see my etchings.' The social level<br />

appears to be a straightforward interest in ®ne art: the psychological level <strong>of</strong> this<br />

communication suggests something else entirely. For Berne, the outcome <strong>of</strong> communication<br />

was determined on the psychological level.<br />

Chomsky Bandler & Grinder, 1975) <strong>of</strong>fered still another variation on communication<br />

dualities, suggesting that every communication has both a surface structure<br />

and a deep structure. Often, multiple transformations <strong>of</strong> surface structure can share<br />

the same underlying deep structure. It is the task <strong>of</strong> the receiver to decipher deep<br />

structure.<br />

Finally, Watzlawick 1985) posited that communication is both indicative and<br />

injunctive, consisting <strong>of</strong> both denotation and connotation. He maintained that the<br />

injunctive aspect <strong>of</strong> communication promotes change. It is this prospect that<br />

Ericksonian therapists ®nd most intriguing and pertinent to their work.<br />

INJUNCTIVE COMMUNICATION<br />

Erickson was a master <strong>of</strong> injunctive language. In fact, his style <strong>of</strong> therapy, and<br />

especially hypnosis, can be characterized as building responsiveness to injunctive<br />

communication. Applying Watzlawick's ideas to Erickson's work affords a useful<br />

insight into the mechanisms activated in a typical induction. A good illustration <strong>of</strong><br />

this is Erickson's well-known early learning set induction Erickson & Rossi,<br />

1979). A close reading <strong>of</strong> the induction reveals an indicative level howa child<br />

learns to write the alphabet), and an injunctive level Erickson's implied instructions<br />

about hypnosis directed to the patient). Table 6.1 illustrates this.<br />

The reader should note that in Table 6.1, the message sent is not necessarily the<br />

message received. In¯uence communication should be judged by the response it<br />

elicits, not by the cleverness <strong>of</strong> its structure. In his inductions, Erickson worked to<br />

develop responses to injunction. If the patient did not respond to his alembicated<br />

methods, he would modify his technique to promote that responsiveness.<br />

Let's consider the covert messages contained in the early learning set induction<br />

to which the recipient could respond. The overall injunction, `Go into a trance!' is<br />

presented nonverbally. Erickson <strong>of</strong>fered this injunction by changing the locus and<br />

tone <strong>of</strong> his voice. When speaking to the ¯oor in a `hypnotic' style, Erickson<br />

indicated, `The time for trance is now!' The allusion to the dif®culty in learning to<br />

write is a parallel communication in which the patient could associate the dif®culty<br />

<strong>of</strong> learning to write with perceived dif®culty in achieving trance. At one time,<br />

learning to write was dif®cult; now it is second nature. In parallel, the same can be<br />

true <strong>of</strong> trance.<br />

Questioning whether the child dotted the `t' or crossed the `i' can confuse the<br />

patient. Confusion is part <strong>of</strong> every hypnosis induction Haley, 1963), and is used to<br />

depotentiate conscious sets Erickson & Rossi, 1979).<br />

When Erickson queried, `Howmany bumps are there in an ``n'' and an ``m''?' he

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