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volume 2 - Robert Bedrosian's Armenian History Workshop

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Model of a Sheep's Liver. 125<br />

a forgery, for I had seen several forgeries that had been<br />

made by the Jews at Kazimen and they were very<br />

cleverly made, but after examining it for two days I felt<br />

sure that it was genuine, and as I knew it to be unique<br />

I decided to acquire it with the rest of the collection.<br />

Its shape and general appearance seemed strangely<br />

familiar to me, and at length I remembered that it<br />

closely resembled the plaster cast of a sheep's liver which<br />

I had seen in the hands of Canon Isaac Taylor. That<br />

cast was made from a bronze original inscribed in<br />

Etruscan, which had been found near Piacenza in 1877,<br />

and had been sent to him so that he might attempt to<br />

decipher the inscription. Taylor came to the conclusion<br />

that the bronze original was the model of a sheep's liver,<br />

and that it belonged to a temple and was used by the<br />

extispex or priest whose duty it was to inspect the<br />

Uvers of the sheep that were offered up as sacrifices,<br />

and to predict events from their appearances, Taylor<br />

brought the cast to the British Museum hoping to find<br />

evidence to support his view, and he showed it to Franks,<br />

Birch and myself. The more I thought about it the<br />

more I became convinced that the object from Abu<br />

Habbah was the model of a sheep's liver which had been<br />

used for purposes of divination, and I bought the whole<br />

collection and made arrangements to take it with me<br />

to London.^<br />

^ When Taylor saw the Babylonian model he felt convinced that<br />

it represented a sheep's liver, and rejoiced in its acquisition by the<br />

British Museum ; but Assjrriologists were sceptical about the correctness<br />

of his identification, though they had no proofs to the contrary.<br />

In i8g8 the Trustees of the British Museum pubhshed a photographic<br />

reproduction of the Uver and a transcript of the texts on it in Cuneiform<br />

Texts, part vi, pll. i, 2, and so made it available for general study.<br />

The following year M. A. Boissier published his " Note sur un Monument<br />

Babylonien se rapportant ci I'Extispicine," and proved beyond<br />

all doubt that the object was a model of a sheep's liver, and that it<br />

had been made with the purpose of giving instruction in the art of<br />

divining from the appearances of the livers of sheep. A year later he<br />

published a further " Note sur un nouveau Document Babylonien se<br />

rapportant k I'Extispicine," and proved that the object in the Ku3mnjik<br />

Collection (Rm. 620), which Bezold described in the official Catalogue<br />

(vol. iv, p. 1628) as " part of model of an ox's hoof in clay," was in

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