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volume 2 - Robert Bedrosian's Armenian History Workshop

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321<br />

Missions to Egypt, the SudAn, and the Great<br />

Oasis, 1892-1913.<br />

In January, 1892, I was, as already mentioned<br />

(p. 300), appointed Acting Assistant-Keeper of the<br />

Department of Egyptian and Assyrian Antiquities.<br />

In addition to my ordinary duties as an Assistant, I<br />

then had to give much time each day to a general rearrangement<br />

of the collections in accordance with the<br />

scheme prescribed by the Trustees,^ and it was only<br />

with great difl&culty that in October I got away to Egypt<br />

for a few weeks and secured some valuable antiquities.<br />

When I was made Keeper of the Department in February,<br />

1894, I reaUzed to my great regret that I should have<br />

to abandon all hope of repeating my visits to Mesopotamia.<br />

As the journey to Eg5rpt and back only took<br />

about half the time that would be required to reach<br />

Mosul or Baghdad, the Trustees found it possible to<br />

^ The Trustees decided to make a lecture room in the Assyrian<br />

Basement, and to obtain the necessary floor space they ordered the<br />

sculptures of Sennacherib to be removed to the floor above, and the<br />

pavement and the sculptures of the Lion Hunt from Ashur-bani-pal's<br />

palace to be built into the main waUs, just above the new iron gallery<br />

that had recently been constructed. They also ordered the room in<br />

which students kept their easels and drawing boards and the Phoenician<br />

Room to be made into one, and a new roof and skylight to be<br />

built. AH the Phcenician antiquities were removed to the Second<br />

Northern Gallery upstairs, and thus there was plenty of wall space<br />

for the sculptures of Sennacherib, including the Siege of Lachish, and<br />

for a very valuable series of sculptures of Tiglath-Pileser III. These<br />

last-named sculptures consisted of : (i) Slab with a cuneiform inscription<br />

in huge characters, recording the conquests of the king ; (2) basreUef<br />

representing the capture of the gods of the enemy ; (3) bas-rehef<br />

with a figure of the king in the act of receiving the submission of<br />

the enemy. These bas-reUefs (which came originally from the ruins<br />

of the palace of Tiglath-Pileser III at Nimrud) had found their way<br />

into a public institution at Bristol, where they had been built into a<br />

wall and whitewashed. The Trustees acquired them in 1890.

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