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volume 2 - Robert Bedrosian's Armenian History Workshop

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in Mesopotamia and Egypt. 323<br />

easy to send all forgeries back to the dealers in Egypt,<br />

but if that method had been followed, the dealers would<br />

have suffered considerable pecuniary loss, and it was<br />

very important not to discourage them when they were<br />

ready and wishful to send their antiquities direct to<br />

the Museum. Antiquities (and even modern imitations,<br />

if values had been assigned to them), when imported<br />

into Egypt had to pay an 8 per cent, ad valorem duty,<br />

and all goods returned to Egypt, of whatever class,<br />

were liable to this duty in common with ordinary imports.<br />

It was open to a dealer to declare that a modem<br />

imitation which had been returned to him was worthless,<br />

and to allow the Customs to sell it for what it would<br />

fetch, but such a proceeding would injure his reputation.<br />

There was also another serious risk for the dealer,<br />

i.e., confiscation by the Service of Antiquities, followed<br />

by prosecutions for illegal possession. In short, no<br />

dealer would send his antiquities to England if there<br />

was the least chance of any of them being returned to<br />

him.<br />

In the early "nineties" few people in England who<br />

had not been in Egypt had the least idea of the skill<br />

which some of the natives had acquired in the forging<br />

of antiquities, and it may not be out of place to add here<br />

a few words on the subject. Some of the forgeries were<br />

to all appearance—of small contract tablets. But cis they did not<br />

understand the art of casting " in the round " they could not reproduce<br />

the inscriptions on the rounded edges of the originals ; and<br />

therefore their casts lacked the kings' names and the dates and the<br />

ends of the lines that often ran over the right-hand edges of the<br />

originals. The plan they followed was to cast each side of the tablet<br />

separately, and then to stick the obverse and the reverse together,<br />

and " make up " the edges with clay ; but the place where they joined<br />

could be easUy detected, and on the insertion of a penknife the two<br />

sections came apart, as I pointed out in a short letter to the Athenaeum<br />

many years ago. The re-cutting of ancient cylinder-seals and the<br />

forging of inscriptions in hard stone did not begin tUl some years<br />

later. In 1891 I was shown in Baghdad several forged inscriptions on<br />

clay, which had been made by a youth in the French School there.<br />

He used a small, blunt, three-sided piece of hard wood to form the<br />

wedges of the clay, and with practice would have become an expert<br />

scribe.<br />

y 2

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