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Examination of glaze variations suggests that in addition to the above<br />

brown wares another two containers are represented by the assemblage<br />

from Chinaman's Garden Well. <strong>The</strong> glaze on one (items 262, 147) is a<br />

much lighter colour, best described as a mid-tan. This item has a clearly<br />

defined base ring which has a diameter of approximately 120mm.<br />

Reference to Ritchie (1986: 232-234) suggests this may be the sole Ng Ka<br />

Py jar represented in the assemblage. <strong>The</strong> colour, although unusual in the<br />

Milparinka assemblage, is within the range suggested by Ritchie. <strong>The</strong><br />

glaze on the other fragment ( included in item 98) is quite mottled and<br />

pinholed. Its' colour is midway between the dark brown of most food jars<br />

and the tan already mentioned. Little more can be said of this second<br />

item, as the piece is fragmentary.<br />

Item 500 is a small curved fragment of brown-glazed vitreous stoneware.<br />

Its' dimensions and the manner in which the glaze has been applied<br />

suggest a diameter of 18mm and that it is from the lip of a small bottle. <strong>The</strong><br />

body is grey coloured. It is possibly from an ink bottle.<br />

8.2.8e Buttons and other Clothing Fasteners<br />

buttons (photograph 37)<br />

As with the assemblage at Chinaman's Well, quite an array of buttons is<br />

included in the artefacts from Chinaman's Garden Well. As well, clothing<br />

rivets and a cuff-link have been identified and are discussed below.<br />

Items 64 and 93 are both of shell - one of plain shell, is two-holed, while<br />

the other, of mother-of-pearl, is four-holed. Both appear to be from undergarments.<br />

<strong>The</strong> remaining buttons are all pressed metal, four hole buttons of various<br />

diameters. Two (items 347 & 358) are 14mm in diameter, one plain the<br />

other decorated with a ring of raised dots. Three others (Items 10, 196 and<br />

357) are all 17mm in diameter, and embossed with various wording ­<br />

"BEST SOLID EYELET"(item 10), "BOND ST. COMPY.ADELAIDE"(item<br />

196), "BRIGHT AND HITCHCOCK'S.GEELONG" (item 357) <strong>The</strong> 'Best<br />

Solid Eyelet" embossing is identical to that found on a button from<br />

Chinaman's Well, but in that case the button was 24mm in diameter. A<br />

United States origin is perhaps appropriate. <strong>The</strong> other buttons clearly<br />

relate to clothing with an Australian origin, although the buttons could well<br />

have been made elsewhere on behalf of the organisations named.<br />

Three clothing rivets, similar to those now used on Levi Strauss jeans,<br />

form items 197 (one rivet) and 220 (two rivets). Ritchie describes these as<br />

brass studS, and indicates they were commonly associated with men's<br />

trousers (:515). Both items 220 are un-adorned, but item 197 may have<br />

been stamped around the circumference. No legend is visible.

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