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U.S.-Korea Free Trade Agreement: Potential Economy-wide ... - USITC

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Summary of Provisions<br />

The provisions that directly address audiovisual services are found in the NCMs for services<br />

and investment in Annexes I and II and also in two side letters under chapter 18 (intellectual<br />

property rights) of the FTA. Under Annex I, <strong>Korea</strong> has included two current NCMs relating<br />

to broadcasting services and motion picture services. Under the detailed broadcasting<br />

services reservation, foreign or <strong>Korea</strong>n nationals may not serve as a principal senior officer<br />

for both a foreign enterprise and a terrestrial, satellite, or cable broadcasting operator or a<br />

similar type of program provider in <strong>Korea</strong>. All members of the boards of directors of public<br />

broadcasters <strong>Korea</strong> Broadcasting System and Educational Broadcasting System must be<br />

<strong>Korea</strong>n nationals, and licenses to operate terrestrial, cable, or satellite broadcasts may only<br />

be granted to or held by the Government of <strong>Korea</strong> or local <strong>Korea</strong>n governments or persons.<br />

Additionally, <strong>Korea</strong> stipulates various foreign equity limits for broadcasting and cable<br />

operators and sets varying local content quotas for their programming. Examples of such<br />

requirements include the following: no foreign government or person may hold an equity<br />

interest in a terrestrial broadcaster, cable operator, or program provider that is engaged in<br />

multigenre programming 99 or news reporting; 80 percent of quarterly programming hours<br />

for terrestrial broadcasters or program providers must be <strong>Korea</strong>n content; 45 percent of a<br />

terrestrial broadcaster’s annual animation programming hours must be <strong>Korea</strong>n content; and<br />

20 percent of a cable system or satellite operator’s annual movie programming must be<br />

<strong>Korea</strong>n content. Under the motion picture services reservation, <strong>Korea</strong> would require that<br />

<strong>Korea</strong>n motion pictures must be projected for at least 73 days per year at each <strong>Korea</strong>n screen.<br />

Under Annex II, <strong>Korea</strong> has included broad NCMs for potential future measures relating to<br />

audiovisual services. For example, <strong>Korea</strong> has reserved the right to adopt or maintain any<br />

measure that accords differential treatment to persons of other countries involving the<br />

sharing of direct-to-home and direct broadcasting satellite television services. 100 <strong>Korea</strong> has<br />

likewise reserved the right to limit cross-ownership across media sectors and to adopt or<br />

maintain any measure with respect to a supplier of subscription-based video services. <strong>Korea</strong><br />

has also listed potential reservations with regard to coproduction arrangements for film or<br />

television productions, criteria to determine whether audiovisual programs are “<strong>Korea</strong>n,”<br />

measures dealing with digital audio or video services, and measures with respect to motion<br />

picture promotion, advertising, or postproduction. Lastly, the U.S. and <strong>Korea</strong>n governments<br />

would also agree to two relevant side letters under chapter 18 (intellectual property rights)<br />

of the FTA that impose unilateral obligations on the <strong>Korea</strong>n government to prevent online<br />

piracy, whether by amending its law or dedicating additional resources.<br />

Views of Interested Parties<br />

U.S. industry representatives are generally satisfied with the FTA provisions on audiovisual<br />

services. The ITAC on Services and Finance Industries (ITAC 10) report said that the FTA<br />

will provide a more favorable environment for cross-border trade and investment in <strong>Korea</strong>n<br />

audiovisual services by minimizing or freezing most quotas pertaining to local content<br />

99 Multigenre programming refers to a program provider that offers a combination of news, entertainment,<br />

drama, movies, music programming, etc. USTR, “Final - United States - <strong>Korea</strong> FTA Texts,” 2007.<br />

100 The United States also made this reservation under Annex II. In addition, under Annex I, the United<br />

States made a single reservation, which restricts investment in U.S. radiocommunications firms by foreign<br />

governments. These were the only two NCMs the United States specified with regard to audiovisual services<br />

in the FTA.<br />

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