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december-2009

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FURNITURE<br />

TO GO<br />

WORDS CELESTE NEILL-DUVOISIN<br />

A vintage design store<br />

spawns a revolutionary<br />

online system in up-andcoming<br />

Zürich-West<br />

ZURICH-WEST HAS been quietly evolving<br />

over the past 10 years into one of Europe’s<br />

most vibrant communities. In particular,<br />

the Kreis 5 district, which was once at the<br />

heart of the industrial revolution in Zürich,<br />

has recently gone through a radical change.<br />

Old factories have been transformed into<br />

buzzing nightclubs, better transport links<br />

are set to enhance the area’s loft-based<br />

residential appeal and a vast campus of<br />

arts – the Toni-Areal factory space – is due<br />

for completion next year.<br />

So the handful of astute, or perhaps<br />

just lucky, local entrepreneurs that set up<br />

commercial businesses in the early days of<br />

the area’s transformation are now starting<br />

to reap the rewards of regeneration. One<br />

such business is Bogen 33, a shop that<br />

specialises in mid-century modern<br />

furniture. Hidden underneath an old<br />

warehouse, its tunnel-like rooms are<br />

crammed with sofas, chairs, tables and<br />

lighting from this eclectic era. It is also<br />

home to a fl edgling, inspiring software<br />

company, BWare, which, alongside its 29year-old<br />

Zürich-born owner, Fabio Dubler,<br />

perfectly represents this new forwardthinking<br />

Swiss business generation.<br />

Dubler fi rst set up the store in Zürich-<br />

West in 2003 when the area was still<br />

ignored by most of the city. He and his<br />

friends were unknowingly part of a<br />

renegade cultural community attracted by<br />

BUSINESS | ZURICH INTERIORS<br />

Fabio Dubler’s business<br />

has grown organically<br />

out of an interest in<br />

20th-century design<br />

the area’s empty, cheap warehouse spaces.<br />

When he took out a lease on an old railway<br />

viaduct, Dubler’s fi rst thought was to use it<br />

as a half shop/half hangout. Friends who<br />

helped were supplemented by all-night<br />

parties, perhaps a little inspired by their<br />

close location at that time to a blossoming,<br />

and somewhat wild nightlife scene.<br />

ONE FRIEND RANDOMLY suggested they<br />

sell old furniture and so, using his wages<br />

from his job as an assistant in a nearby art<br />

gallery, Dubler spent all his spare time and<br />

money fi lling the viaduct with any old brica-brac<br />

he could get his hands on. “I had so<br />

little money to build the shop that I used<br />

to go to building sites and collect scraps of<br />

wood lying around,” he explains. “I then<br />

spent loads of time in the Brockenhaus<br />

(an indoor market that sells furniture<br />

from old house sales), buying the things<br />

I thought looked nice, fi lling the van up<br />

with them and storing any extra pieces at a<br />

friend’s apartment. There really was no big<br />

business plan. It was very organic.”<br />

But as the rental agreement on the<br />

viaduct ended, and Dubler started to<br />

realise he had an eye for good design, he<br />

quickly lost interest in partying and turned<br />

his growing passion into a business. He<br />

relocated to his current premises, handily<br />

located next to hip Swiss accessory brand<br />

Freitag, which gave him access to<br />

DECEMBER 09 | TRAVELLER | 105

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