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FURNITURE<br />
TO GO<br />
WORDS CELESTE NEILL-DUVOISIN<br />
A vintage design store<br />
spawns a revolutionary<br />
online system in up-andcoming<br />
Zürich-West<br />
ZURICH-WEST HAS been quietly evolving<br />
over the past 10 years into one of Europe’s<br />
most vibrant communities. In particular,<br />
the Kreis 5 district, which was once at the<br />
heart of the industrial revolution in Zürich,<br />
has recently gone through a radical change.<br />
Old factories have been transformed into<br />
buzzing nightclubs, better transport links<br />
are set to enhance the area’s loft-based<br />
residential appeal and a vast campus of<br />
arts – the Toni-Areal factory space – is due<br />
for completion next year.<br />
So the handful of astute, or perhaps<br />
just lucky, local entrepreneurs that set up<br />
commercial businesses in the early days of<br />
the area’s transformation are now starting<br />
to reap the rewards of regeneration. One<br />
such business is Bogen 33, a shop that<br />
specialises in mid-century modern<br />
furniture. Hidden underneath an old<br />
warehouse, its tunnel-like rooms are<br />
crammed with sofas, chairs, tables and<br />
lighting from this eclectic era. It is also<br />
home to a fl edgling, inspiring software<br />
company, BWare, which, alongside its 29year-old<br />
Zürich-born owner, Fabio Dubler,<br />
perfectly represents this new forwardthinking<br />
Swiss business generation.<br />
Dubler fi rst set up the store in Zürich-<br />
West in 2003 when the area was still<br />
ignored by most of the city. He and his<br />
friends were unknowingly part of a<br />
renegade cultural community attracted by<br />
BUSINESS | ZURICH INTERIORS<br />
Fabio Dubler’s business<br />
has grown organically<br />
out of an interest in<br />
20th-century design<br />
the area’s empty, cheap warehouse spaces.<br />
When he took out a lease on an old railway<br />
viaduct, Dubler’s fi rst thought was to use it<br />
as a half shop/half hangout. Friends who<br />
helped were supplemented by all-night<br />
parties, perhaps a little inspired by their<br />
close location at that time to a blossoming,<br />
and somewhat wild nightlife scene.<br />
ONE FRIEND RANDOMLY suggested they<br />
sell old furniture and so, using his wages<br />
from his job as an assistant in a nearby art<br />
gallery, Dubler spent all his spare time and<br />
money fi lling the viaduct with any old brica-brac<br />
he could get his hands on. “I had so<br />
little money to build the shop that I used<br />
to go to building sites and collect scraps of<br />
wood lying around,” he explains. “I then<br />
spent loads of time in the Brockenhaus<br />
(an indoor market that sells furniture<br />
from old house sales), buying the things<br />
I thought looked nice, fi lling the van up<br />
with them and storing any extra pieces at a<br />
friend’s apartment. There really was no big<br />
business plan. It was very organic.”<br />
But as the rental agreement on the<br />
viaduct ended, and Dubler started to<br />
realise he had an eye for good design, he<br />
quickly lost interest in partying and turned<br />
his growing passion into a business. He<br />
relocated to his current premises, handily<br />
located next to hip Swiss accessory brand<br />
Freitag, which gave him access to<br />
DECEMBER 09 | TRAVELLER | 105