The Alchemy Key.pdf - Veritas File System

terms, it is the combat of the Knight (Secret Fire) with Stibnite (the
Dragon), which, after much purification: 836
is born the astral stone, shining as pure as silver, and which
appears to be signed, bearing the imprint of its nobility, its stamp
(a claw) ... a sure indication of the union and peace between fire
and water, between earth and air.
The hundred-headed hydra is just the same as the dragon. It is
also called the Old Serpent, Lord of the Abyss, Leviathan, Lotan, Shaitan,
Tiamat, Forsaker, Abandoner and Cthulhu. Sufi and Muqarribun writings
make use of the term Abandoner referring to the power of Tajrid and
Tafrid, which mean outward detachment and interior solitude
respectively. The Greeks use the word Apollyon, Abaddon in Hebrew. 837
In Pompeii, this menacing dragon is shown both as a crocodile in
the Villa of the Mysteries and the sea monster ketos in the legend of
Andromeda and Perseus in the Mythological Room of the Imperial Villa
at Boscotrecase. 838
Nicholas Poussin’s 1633 painting The Companions of Rinaldo,
now in the Metropolitan Museum of Art in New York, shows the
Christian knights Carlo and Ubaldo confronting the same fearsome
dragon. This has the same meaning as the two warring knights in the
Merchant’s Chapel of St Peters Church in Malmo, Sweden. Below them
is a large picture of St George and the Dragon.
A recent interpretation of the story of St George is George Lucas’
blockbuster film Star Wars (1977). Initially, many studios rejected the
script. It went on to gross two hundred million dollars and become the
envy of the industry. Star Wars even redefined cinema in the twentieth
century and became a popular trilogy. In the film, Daath-vader, so named
after Daath meaning man’s knowledge, is man’s base nature or the Lover,
balanced by his pure Son Luke Skywalker. Daath and Luke are two sides
of the same coin. Swords of Light consummate their battle. Only
initiates of the ancient Jedi Knights could wield these swords. So
enduring and popular was the theme that George Lucas’ used it once more
in 1999, with the first of three prequels of a new Star Wars Trilogy.
George Lucas is not alone in using this age-old theme. Michael Douglas’
film The Game is an initiation sequence. Douglas conceals the dragon in
a place worthy of the erudite complexity of Shakespeare.
Gnostic Christianity modified the alchemy of the Greater
Mysteries in a very imaginative way. The Gnostics believed that the
achievement of virtue over the ignorance and moral vice of one’s own
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