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The Alchemy Key.pdf - Veritas File System

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Hiram and declares that Hiram is his descendant. He initiates Hiram into<br />

the Mystery of Fire and the secret of bronze casting. Tubal-Cain gives<br />

Hiram his great hammer and a Golden Triangle to wear as a pendant<br />

round his neck. Hiram then successfully recasts the brazen sea. Hiram<br />

and Balkis, the Queen of Sheba, fall in love. A jealous Solomon<br />

instigates the murder of Hiram and the widow Balkis leaves, pregnant<br />

with Hiram’s son. He is the son of the widow, whose many descendants<br />

will complete the building of the Temple.<br />

<strong>The</strong> knowledge of metals and explosive force has always gone<br />

hand-in-hand with religion. <strong>The</strong> Shahnameh or Book of the Legendary<br />

Kings of Persia demonstrates this relationship. <strong>The</strong> Arabian poet<br />

Firdowsi wrote the Shahnameh in 1010CE. He describes the early Indo-<br />

Iranian kings of the Persians Kiyumars and Jemshid. Chosen by Ahura<br />

Mazda, their faces shone brilliantly with the Glory of God called the<br />

khvarnah or farr-i izadi. It adorned Ahura Mazda as a large ring or<br />

diadem. This Kingly Fortune gave the prince Jemshid an intimate<br />

knowledge of God and the ability to carve hard substances without the use<br />

of conventional tools. 211 In blacksmithing weapons, he was able to: 212<br />

…mold iron into such equipment as helmets, chain mail,<br />

laminated armour as well as missile-proof vests, to swords and horsearmour.<br />

Sadly, Jemshid became a tyrannical ruler. He delighted in the<br />

words of falsehood and untruth and the Glory was seen to flee away from<br />

him in the shape of a bird. 213 <strong>The</strong> next Iranian hero to possess the Kingly<br />

Fortune was Feridun.<br />

Mircea Eliade summarizes the connection between religion and<br />

the smithy in the age of metals as follows: 214<br />

<strong>The</strong>re would appear to have existed therefore, at several different<br />

cultural levels (which is the mark of great antiquity), a close connection<br />

between the art of the smith, the occult sciences (shamanism, magic,<br />

healing etc) and the art of song, dance and poetry … One element<br />

nevertheless is constant - that is the sacredness of metal and … all mining<br />

and metallurgical operations …It is in any case significant that in<br />

contrast to pre-agricultural and pre-metallurgical mythologies, where, as<br />

a natural prerogative, God is the possessor of the thunderbolt … in the<br />

myths of historic peoples, on the other hand (Egypt, the Near East and the<br />

Indo-Europeans), the God of the hurricane receives these weapons -<br />

lightning and thunder - from a divine smith.<br />

74

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