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The Alchemy Key.pdf - Veritas File System

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wine to symbolise the blood which naturally flowed when the human<br />

male organ was cut off, as in the case of the Priests of Cybele.<br />

In order to make themselves one with the God, the worshippers<br />

ate the bread and drank some of the wine. Similar rites were performed all<br />

over the world to the Goddess of Fertility, and here we have clear<br />

evidence of their survival among the Jews up to B.C. 587.<br />

We learn further that naturally these offerings of cakes were made<br />

only by the women and at the shrine of Astarte at the north gate. No doubt<br />

it was at this time that the women wept for Tammuz slain, whose sad fate<br />

they thus commemorated while hoping thereby to gain an abundant<br />

harvest.<br />

We also see why fire played an important part in these old rites.<br />

<strong>The</strong> children gathered the sticks; at one time they formed the fuel for the<br />

sacrifice of burning! <strong>The</strong> men lighted the fire; they had begotten the<br />

children, and hence the symbolism of the act! It was the women, however,<br />

who made the cakes, for from them come forth men, as does corn from<br />

the Earth.<br />

But what were the men doing while the women were busy at the<br />

north gate? We shall find that some of them were at the centre in a hidden<br />

vault, namely the tomb itself, while others stood watching the east so that<br />

they might proclaim the resurrection of the slain God; that the corn would<br />

come forth from the womb of Mother Earth; that a new son of the<br />

Goddess would be born, destined like his father to wed the Goddess and<br />

thereby lose his life. Thus Astarte was every year a widow, and her son<br />

posthumous.<br />

But though the women had their duties outside the closely barred<br />

door of the hidden mysteries, they were evidently not admitted therein.<br />

This was the men’s house and therefore we will return to Ezekiel and see<br />

what he says on the subject, having thus decided whom the “Figure of<br />

Jealousy” represented and what was taking place before it.<br />

440

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