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114 Elizabeth Broadwin<br />
This passage directly alludes to Herodotus: “Scythia has a few remarkable features<br />
. . . a footprint left by Heracles. The natives show this to visitors . . . it is<br />
like a man’s footprint, but it is three feet long” (Herodotus, <strong>19</strong>54: 4.82). The<br />
presence of an inscription accompanying the footprints and Lucian’s insertion of<br />
his own opinion, “It is my view,” seems to mock Herodotus’ process of<br />
discerning the truth in his Histories. In Herodotus, and thus in Lucian’s text, the<br />
footprints appear to be marked as tourist attractions rather than part of an<br />
archaeological record. Lucian criticizes Herodotus’ acceptance of the footprints<br />
as belonging to Heracles simply because the natives say so, as well as the<br />
reader’s acceptance that these absurdly large footprints exist because Herodotus<br />
records it based on hearsay.<br />
In addition to references to his Histories, Herodotus appears as a figure in<br />
Lucian’s narrative journey. After leaving the Isle of the Blessed, Lucian docks<br />
on an island on which people are tortured for sins committed during their lives:<br />
“The biggest punishments of all were being undergone by those who had told<br />
lies of any sort during their lives or had written down things which were not<br />
true. Among them were Ctesias of Cnidus, Herodotus and many others” (Lucian,<br />
2004: II.31). Herodotus is represented as being the perpetrator of lies because he<br />
presented them as history. Lucian places himself in opposition to Herodotus<br />
when he responds with, “As I looked at them, I had good hope for the future,<br />
since I knew very well that I had never told an untruth” (II.32). Lucian seems to<br />
view his own lies as categorically different from Herodotus’. Lucian, even<br />
though he writes fiction, never portrays it as truth. For this same reason the criticisms<br />
of Herodotus are harsher and more biting than those of Homer. Homer’s<br />
historical and geographic basis is more self-consciously subjective than Herodotus,’<br />
for Herodotus overtly states that his work is one of history: “Herodotus of<br />
Halicarnassus here displays his inquiry, so that human achievements may not be<br />
forgotten in time, and great and marvelous deeds . . . may not be without glory”<br />
(Herodotus, <strong>19</strong>54: 1.1). What accounts for the distinction in treatment between<br />
Homer and Herodotus seems to be the author’s intent. Figures throughout Classical<br />
history such as Pomponius Mela and Strabo have credited the works of<br />
Homer as offering concrete truths about historical and geographical elements.<br />
However, Lucian suggests that these truths have been projected onto Homer’s<br />
work. Homer, unlike Herodotus, does not explicitly state that his works are historical<br />
and therefore Homer remains less accountable. Herodotus deserves his<br />
punishment on the island for purposefully masquerading his fiction as truthful<br />
history.<br />
While Lucian criticizes Homer’s accuracy and status as a historian and<br />
punishes Herodotus’ lies and those who accept his works as history rather than<br />
fiction, his allusions to and inclusion of Aristophanes into A True Story are overwhelmingly<br />
complementary. In addition to visiting places from Homer’s Odyssey<br />
and Herodotus’ Histories, Lucian encounters Aristophanes’ utopian Cloudcuckooville<br />
while en route to the moon. He writes of Aristophanes and Cloudcuckooville,<br />
“For my part, I thought the poet Aristophanes, a wise and truthful