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Volume 19, 2007 - Brown University

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Love Displayed through Nature<br />

and Changing Nature<br />

Scott Nelson<br />

Fortunatus employs natural imagery in many of his poems, including “To Radegund<br />

on Violets” and “To Radegund on Her Return.” In the former, Fortunatus<br />

makes use of flowers as an evolving symbol of love throughout the poem. In the<br />

latter, the natural imagery of the harvest captures Fortunatus’s emotions for<br />

Radegund after returning from her forty day Lenten retreat. The natural imagery<br />

employed in the two poems is distinct. In the first poem, natural symbols mutate<br />

due to human emotions, and in the second, they statically represent the joys and<br />

love incorporated into a lover’s return. Fortunatus utilizes different aspects of<br />

nature in both poems for these separate purposes; in the first poem, he creates<br />

floral images that develop with the lines, but in the second poem, he uses<br />

descriptions of fruit and of the ripe harvest. Despite interpretive differences,<br />

similarities exist between the two pieces, especially in terms of diction. These<br />

poems both employ nature to express emotion, but they take very different<br />

approaches in their imagery. They ultimately convey that love has the power to<br />

alter the perception of nature and distort it to serve love.<br />

In “To Radegund on Violets,” Fortunatus compares the natural imagery of<br />

flowers to the human emotions attributed to the flowers. As the name suggests,<br />

the poem revolves around flowers and their meaning for Fortunatus. At the<br />

beginning the white lily (candida lilia) and the sweet red rose (suave rubore<br />

rosa) are introduced as ideal flowers to signify his love. Fortunatus would pluck<br />

them from a poor garden (legens. . .pauperis horti) and send them as a gift. It is<br />

not that he would simply send them as a gift, but he would gladly (libens) send<br />

them in return for a generous present (magnis). Since the lilies and the roses<br />

come from a simple garden and yet can be traded for great gifts, this implies a<br />

high potential value for the flower’s beauty. The value of nature changes with<br />

human contact. The flower comes from a simple garden or a rural field, but once<br />

it is plucked and thought of as a gift its beauty will make it worthy of royalty.<br />

The flower is a gift of love, and, because of the love between two people, the<br />

flower becomes more valuable to the recipient. The idea that simple and base<br />

roots are worth more through human contact is continued throughout the poem.<br />

Since the seasons are not producing the customary lilies and roses for Fortunatus,<br />

he wishes for a second flower to bestow on Radegund. He is somewhat<br />

embarrassed by this new plant, the weeds. He hides the weeds (vicias) in the<br />

middle of the line, where they end his wish instead of start it. He will send the<br />

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