You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Love Displayed through Nature<br />
and Changing Nature<br />
Scott Nelson<br />
Fortunatus employs natural imagery in many of his poems, including “To Radegund<br />
on Violets” and “To Radegund on Her Return.” In the former, Fortunatus<br />
makes use of flowers as an evolving symbol of love throughout the poem. In the<br />
latter, the natural imagery of the harvest captures Fortunatus’s emotions for<br />
Radegund after returning from her forty day Lenten retreat. The natural imagery<br />
employed in the two poems is distinct. In the first poem, natural symbols mutate<br />
due to human emotions, and in the second, they statically represent the joys and<br />
love incorporated into a lover’s return. Fortunatus utilizes different aspects of<br />
nature in both poems for these separate purposes; in the first poem, he creates<br />
floral images that develop with the lines, but in the second poem, he uses<br />
descriptions of fruit and of the ripe harvest. Despite interpretive differences,<br />
similarities exist between the two pieces, especially in terms of diction. These<br />
poems both employ nature to express emotion, but they take very different<br />
approaches in their imagery. They ultimately convey that love has the power to<br />
alter the perception of nature and distort it to serve love.<br />
In “To Radegund on Violets,” Fortunatus compares the natural imagery of<br />
flowers to the human emotions attributed to the flowers. As the name suggests,<br />
the poem revolves around flowers and their meaning for Fortunatus. At the<br />
beginning the white lily (candida lilia) and the sweet red rose (suave rubore<br />
rosa) are introduced as ideal flowers to signify his love. Fortunatus would pluck<br />
them from a poor garden (legens. . .pauperis horti) and send them as a gift. It is<br />
not that he would simply send them as a gift, but he would gladly (libens) send<br />
them in return for a generous present (magnis). Since the lilies and the roses<br />
come from a simple garden and yet can be traded for great gifts, this implies a<br />
high potential value for the flower’s beauty. The value of nature changes with<br />
human contact. The flower comes from a simple garden or a rural field, but once<br />
it is plucked and thought of as a gift its beauty will make it worthy of royalty.<br />
The flower is a gift of love, and, because of the love between two people, the<br />
flower becomes more valuable to the recipient. The idea that simple and base<br />
roots are worth more through human contact is continued throughout the poem.<br />
Since the seasons are not producing the customary lilies and roses for Fortunatus,<br />
he wishes for a second flower to bestow on Radegund. He is somewhat<br />
embarrassed by this new plant, the weeds. He hides the weeds (vicias) in the<br />
middle of the line, where they end his wish instead of start it. He will send the<br />
81