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Augustine’s Imitatio Dei—<br />
A Rejection of Self Sacrifice<br />
Zohar Atkins<br />
The question of whether Christians have a conception of selfhood, or whether<br />
selfhood, by definition, stands as a function of God’s or Christ’s identity, foolishly<br />
assumes a solipsistic, remote, even God-transcending self, rather than an<br />
integrated, joyous, divinely inspired one. The critics and skeptics who proffer<br />
this seemingly innocent query attack Christianity by cornering it into an<br />
either/or proposition. Either the self stands as the sole entity of individuality:<br />
strong, eternal, independent, and holy in its own right, or it revolves around<br />
God, and is therefore no self at all, but a parasite that draws entirely from the<br />
non-self. The self must be inactive and alone or active but without substance.<br />
These cynics ironically illustrate a selfless self and selfish non-self. This is an<br />
ill-suited algorithm for a full understanding of Christian metaphysics. St.<br />
Augustine argues against this misconception in his Confessions, and defends the<br />
Christian view of the self, or in spiritual terms, the soul, as a malleable, engaged,<br />
reflective, tender, glorious, and unique vessel housing, but not confining, God.<br />
The soul, the essential engine of the self, and the divine spark that manifests<br />
God’s simultaneous plurality and singularity, bears enormous consequence<br />
in the Christian tradition. It is the fighting grounds for the dual tensions that<br />
dominate Augustine’s Confessions: the heavenly and the earthly, the eternal and<br />
the ephemeral, the external and the internal, love and fear, volunteerism and<br />
obligation, and free will and determinism. Augustine resolves these frictions by<br />
synthesizing them into an exemplary incarnation of the ideal good, the physical<br />
realm of the particulars. He fuses the issues of God’s timelessness existing in<br />
time and God’s transcendence involving itself in the material world to construct<br />
a ladder that links the inner-soul, the self, to the cosmic soul, God, and names<br />
this intermediary Christ. Augustine blends the manifold forms with their encompassed<br />
unity to draw attention to the self as a kindling of the two. His self is a<br />
function of God, but it has a life of its own. Augustine refutes the cynical question<br />
by exposing its sinful pride and attempting to put forth a self that walks<br />
humbly before God (Conf. 21). This self merits applause, but more significantly,<br />
mercy and forgiveness.<br />
Augustine opens his Confessions by quoting a psalm from Scripture: “Can<br />
any praise be worthy of the Lord’s majesty” (Conf. 1.1)? He poses a general<br />
question using words that are not his to draw attention to God, rather than to<br />
himself. He emphasizes both the wonder of God and the possibility of accessing<br />
1<strong>19</strong>