13.06.2013 Views

Volume 19, 2007 - Brown University

Volume 19, 2007 - Brown University

Volume 19, 2007 - Brown University

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Thetis and Venus: Motherhood in Epic<br />

Martha Gimbel<br />

Thetis and Venus present two different pictures of divine motherhood. While<br />

Thetis plays a very personal role, Venus appears more like a divine patroness<br />

than a mortal mother. Thetis embraces her son and discusses different courses of<br />

action with him, while Venus usually appears to her son in disguise and works<br />

for the well-being of her son only as it affects the future of her city-state. Thetis<br />

cares only for the happiness and prosperity of Achilles, while Venus views<br />

Aeneas as a means to her own glory. As Thetis gets closer to her son, and adopts<br />

a more personal role, she loses power. Venus, on the other hand, remains aloof<br />

and focuses on her divinity. Thus Venus has more power to affect the course of<br />

her son’s life, while Thetis can only soothe and comfort her son.<br />

Venus uses her divine power to help Aeneas survive his trip to found<br />

Rome. In doing so she acts like a divine patroness of a city or a people. She<br />

never discusses her plans for Aeneas’ future with him. Instead she goes straight<br />

to other gods and uses them to affect the course of Aeneas’ life. She first appears<br />

approaching Jove and asking him for reassurance that the Trojan toils will come<br />

to an end and that “there the Romans will be with the years rolling by, there they<br />

will be leaders from the called back blood of a Trojan, Romans who will hold<br />

the sea and all the lands by their power” (Aen.I.234-6). She never mentions<br />

Aeneas’ safety or that of her grandson Ascanius. Instead she worries about the<br />

future of her “leaders” and the “blood” that will make up Rome. The closest she<br />

comes to mentioning the issue of Aeneas’ safety is when she asks, “What end of<br />

labors do you give, Great King” (Aen.I.241)? She mentions Aeneas himself only<br />

when asking what he has done to anger Jove (Aen.I.231-2). She worries not<br />

about the fate of her son, but of the glory that he will bring to her by surviving to<br />

found a city.<br />

Her second plea to a god comes in Book V when she asks Neptune for a<br />

safe journey for the fleet across the sea. Once again her concern appears not to<br />

be with the safety of her son; for she never mentions Aeneas, not even obliquely.<br />

Instead she asks that the fleet be able to reach, and found, Rome: “if it is allowed<br />

to touch the Laurentine Tiber. . .if the Fates give those walls” (Aen.V.797-8).<br />

When Jove orders the gods to refrain from the fighting, Venus agrees, although<br />

she reminds him that the Trojans came to Italy to found an empire under his<br />

auspices. She claims that “I am no longer moved by empire, those things I hoped<br />

for” (Aen.X.43), but then she asks for one concession. She begs that, no matter<br />

what, Ascanius be spared. She wants the line to be continued. Thus, even if<br />

67

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!