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VOL. IV (XXI) 2009 - Departamentul de Filosofie si Stiinte ale ...

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IASMINA PETROVICI 69<br />

D. Davidson 14 , Rorty maintains that metaphors cannot claim to offer an<br />

“image of the world” or to enco<strong>de</strong> certain activities or social practices, but<br />

maybe just to make such operations pos<strong>si</strong>ble by becoming action mo<strong>de</strong>ls. In<br />

other words, the metaphorical constructs can express only a literal<br />

<strong>si</strong>gnificance.<br />

Both Rorty and Davidson do nothing but create a different reduction:<br />

the scientific discovery regar<strong>de</strong>d, in the contemporary Sciences’ philosophy<br />

as “aesthetic experience”. As they are not the result of a cognitive en<strong>de</strong>avor,<br />

the imaginary constructs, metaphors especially, are transformed into mere<br />

expres<strong>si</strong>ons of our <strong>de</strong><strong>si</strong>re to express more, means that we have at our<br />

disposal when we are making a conviction effort, whether the context is<br />

scientific or philosophical, to accept a new scientific paradigm or a new mo<strong>de</strong><br />

of philosophical reflection.<br />

Taking into account the specific characteristics of scientific practices,<br />

Isabelle Stengers tries to reinstate the cognitive value of the mo<strong>de</strong>ls. As she<br />

distinguishes between theory as a result of judgment and mo<strong>de</strong>l as a result<br />

of fiction, the author maintains that mo<strong>de</strong>ls must be regar<strong>de</strong>d as fictional<br />

en<strong>de</strong>avors which target not elimination of their “rivals” but follow up and<br />

explanation of the consequences 15 Furthermore, the large <strong>de</strong>velopment over<br />

the last <strong>de</strong>ca<strong>de</strong>s of the information technology reveals importance of the<br />

scientific mo<strong>de</strong>ls, especially that of the mathematical mo<strong>de</strong>ls, as fictional<br />

instruments, and its application by the new sophists (the researchers who<br />

use such instruments) imposes that <strong>de</strong>scription, explanation and fiction<br />

should communicate with one another, including on an experiential level, and<br />

not only theoretically.<br />

14 See Rorty, R., Unfamiliar Noises: Hesse and Davidson on Metaphor in<br />

Objectivity, Relativism and Truth, Philosophical Papers, vol. 1, Cambridge Univer<strong>si</strong>ty<br />

Press, Cambridge&New York, 1991, pp. 162-163<br />

15 Stengers, I., Inventarea ştiinţelor mo<strong>de</strong>rne, Iaşi, Editura Polirom, 2001, p.142

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