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Schirmer Encyclopedia of Film

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Costume<br />

designers had large followings and many, such as Adrian,<br />

Irene, Greer, Shoup, and Banton, ran their own labels,<br />

typically designing personal clothes for stars and clients<br />

while working on as many as ten films a year. By the<br />

1950s, with the exception <strong>of</strong> Head, who remained publicly<br />

known, this fame disappeared. Though costume<br />

design continues to initiate sweeping trends, the costume<br />

designer’s name is rarely recognized. Iconic outfits such<br />

as Liza Minnelli’s black halter-top, shorts, and gartered<br />

black stockings in Cabaret (1972) designed by Charlotte<br />

Flemming (1920–1993), Indiana Jones’s fedora, leather<br />

jacket, and khaki pants for Raiders <strong>of</strong> the Lost Ark (1981)<br />

conceived by Deborah Nandoolman (b. 1952), and<br />

Patrizia Von Brandenstein’s white, three-piece suit (<strong>of</strong>f<br />

the rack) for John Travolta in Saturday Night Fever<br />

(1977) are rarely connected to their originators.<br />

But in the twenty-first century, the retailing <strong>of</strong> cinematic<br />

couture has come back. Some Japanese costume<br />

designers have their own clothing lines, as do some<br />

American designers such as Patricia Field. Bollywood<br />

(Indian film industry) designers regularly dress the public.<br />

But the ingenuity <strong>of</strong> the costume designer in film<br />

remains paramount. In the face <strong>of</strong> restrictions from lighting<br />

requirements to the actor’s shape, it continues to<br />

revolutionize tailoring and set groundbreaking trends<br />

while addressing complex cinematic needs.<br />

SEE ALSO Fashion; Production Process<br />

FURTHER READING<br />

Chierichetti, David. Hollywood Costume Design. New York:<br />

Harmony Books, 1976.<br />

De Mille, Cecil B. The Autobiography <strong>of</strong> Cecil B. DeMille. New<br />

York: Garland Publishing, 1985.<br />

Finch, Christopher, and Linda Rosenkrantz. Gone Hollywood:<br />

The Movie Colony in the Golden Age. Garden City, NY:<br />

Doubleday, 1979.<br />

Finler, Joel W. The Hollywood Story. New York: Crown, 1988.<br />

Gaines, Jane, and Charlotte Herzog, eds. Fabrications: Costume<br />

and the Female Body. London and New York: Routledge,<br />

1989.<br />

La Vine, W. Robert. In a Glamorous Fashion: The Fabulous Years<br />

<strong>of</strong> Hollywood Costume Design. New York: Scribners, 1980.<br />

Landis, Deborah Nadoolman. Screencraft Costume Design.<br />

Switzerland and Hove, UK: Rotovision, 2003.<br />

Leese, Elizabeth. Costume Design in the Movies. Bembridge, UK:<br />

BCW Publishing, 1976.<br />

Mulvagh, Jane. Vogue History <strong>of</strong> Twentieth Century Fashion.<br />

London: Viking, 1988.<br />

Schreier, Sandy. Hollywood Dressed and Undressed: A Century <strong>of</strong><br />

Cinema Style. New York: Rizzoli, 1998.<br />

Drake Stutesman<br />

382 SCHIRMER ENCYCLOPEDIA OF FILM

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