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Schirmer Encyclopedia of Film

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Africa South <strong>of</strong> the Sahara<br />

cultures. By incorporating new visions, ideologies, and<br />

aesthetic expressions, these filmmakers are interrogating<br />

not only the territoriality <strong>of</strong> sub-Saharan African identities,<br />

but are also staking places for African cultures in the<br />

global flow <strong>of</strong> ideas and peoples.<br />

SEE ALSO Colonialism and Postcolonialism; National<br />

Cinema; Third Cinema<br />

FURTHER READING<br />

Balseiro, Isabel, and Ntongela Masilela, eds. To Change Reels:<br />

<strong>Film</strong> and <strong>Film</strong> Culture in South Africa. Detroit, MI: Wayne<br />

State University Press, 2003.<br />

Barlet, Olivier. African Cinemas: Decolonizing the Gaze.<br />

Translated by Chris Turner. London and New York: Zed<br />

Books, 2000.<br />

Diawara, Manthia. African Cinema: Politics and Culture.<br />

Bloomington: Indiana University Press, 1992.<br />

Gugler, Josef. African <strong>Film</strong>: Re-Imagining a Continent.<br />

Bloomington: Indiana University Press, 2003.<br />

Pfaff, Françoise, ed. Focus on African <strong>Film</strong>s. Bloomington:<br />

Indiana University Press, 2004.<br />

Thackway, Melissa. Africa Shoots Back: Alternative Perspectives in<br />

Sub-Saharan Francophone African <strong>Film</strong>. Bloomington:<br />

Indiana University Press, 2003.<br />

Tomaselli, Keyan. The Cinema <strong>of</strong> Apartheid: Race and<br />

Class in South African <strong>Film</strong>. New York: Smyrna/Lake View,<br />

1988.<br />

Ukadike, Nwachukwu Frank. Black African Cinema. Berkeley:<br />

University <strong>of</strong> California Press, 1994.<br />

Sheila Petty<br />

58 SCHIRMER ENCYCLOPEDIA OF FILM

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