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Tales of Old Japan - Maybe You Like It

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it is carried and received by a person <strong>of</strong> distinction. Close by the<br />

entrance-door a fire is lighted on the right hand and on the left. These<br />

fires are called garden-torches. In front <strong>of</strong> the corridor along which the<br />

litter passes, on the right hand and on the left, two men and two women,<br />

in pairs, place two mortars, right and left, in which they pound rice; as<br />

the litter passes, the pounded rice from the left-hand side is moved<br />

across to the right, and the two are mixed together into one. This is called<br />

the blending <strong>of</strong> the rice-meal. 126 Two candles are lighted, the one on the<br />

right hand and the other on the left <strong>of</strong> the corridor; and after the litter has<br />

passed, the candle on the left is passed over to the right, and, the two<br />

wicks being brought together, the candles are extinguished. These last<br />

three ceremonies are only performed at the weddings <strong>of</strong> persons <strong>of</strong> high<br />

rank; they are not observed at the weddings <strong>of</strong> ordinary persons. The<br />

bride takes with her to her husband's house, as presents, two silken<br />

robes sewed together in a peculiar manner, a dress <strong>of</strong> ceremony with<br />

wings <strong>of</strong> hempen cloth, an upper girdle and an under girdle, a fan, either<br />

five or seven pocket-books, and a sword: these seven presents are placed<br />

on a long tray, and their value must depend upon the means <strong>of</strong> the<br />

family.<br />

The dress <strong>of</strong> the bride is a white silk robe with a lozenge pattern, over<br />

an under-robe, also <strong>of</strong> white silk. Over her head she wears a veil <strong>of</strong> white<br />

silk, which, when she sits down, she allows to fall about her as a mantle.<br />

The bride's furniture and effects are all arranged for her by female attendants<br />

from her own house on a day previous to the wedding; and the<br />

bridegroom's effects are in like manner arranged by the women <strong>of</strong> his<br />

own house.<br />

When the bride meets her husband in the room where the relations are<br />

assembled, she takes her seat for this once in the place <strong>of</strong> honour, her<br />

husband sitting in a lower place, not directly opposite to her, but diagonally,<br />

and discreetly avoiding her glance.<br />

On the raised part <strong>of</strong> the floor are laid out beforehand two trays, the<br />

preparations for a feast, a table on which are two wagtails, 127 a second<br />

table with a representation <strong>of</strong> Elysium, fowls, fish, two wine-bottles,<br />

three wine-cups, and two sorts <strong>of</strong> kettles for warming wine. The ladies<br />

go out to meet the bride, and invite her into a dressing-room, and, when<br />

she has smoothed her dress, bring her into the room, and she and the<br />

126.Cf. Gibbon on Roman Marriages, Decline and Fall <strong>of</strong> the Roman Empire, vol. iv. p.<br />

345: "The contracting parties were seated on the same sheepskin; they tasted a salt<br />

cake <strong>of</strong> far, or rice; and this confarreation, which denoted the ancient food <strong>of</strong> <strong>It</strong>aly,<br />

served as an emblem <strong>of</strong> their mystic union <strong>of</strong> mind and body."<br />

291

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