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Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

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Writ<strong>in</strong>g<br />

105<br />

so that <strong>in</strong> them weav<strong>in</strong>g, articulate spirituality is wafted towards him,<br />

the more adequately do we respond to the demands of his <strong>in</strong>nermost<br />

be<strong>in</strong>g <strong>in</strong> these early years. <strong>The</strong>y are years when the feel<strong>in</strong>g life of the<br />

soul must flow <strong>in</strong>to the processes of breath<strong>in</strong>g and of the circulation<br />

of the blood and <strong>in</strong>to the whole vascular system <strong>in</strong>deed <strong>in</strong>to the<br />

whole human organism. If we educate <strong>in</strong> this sense, the child’s life of<br />

feel<strong>in</strong>g will be called on <strong>in</strong> a way right for our times, so that the child<br />

will develop strongly and naturally <strong>in</strong> his organism and life of soul.<br />

It is of <strong>in</strong>calculable benefit to the child if we develop this element<br />

of feel<strong>in</strong>g <strong>in</strong> writ<strong>in</strong>g and then allow a fa<strong>in</strong>t echo of the <strong>in</strong>tellect to<br />

enter as he rediscovers <strong>in</strong> read<strong>in</strong>g what he has already experienced <strong>in</strong><br />

writ<strong>in</strong>g. <strong>The</strong>re is then a gentle accompaniment from the <strong>in</strong>tellect. This<br />

is the very best way of lead<strong>in</strong>g the child on towards his n<strong>in</strong>th year.<br />

Between the ages of seven and n<strong>in</strong>e or n<strong>in</strong>e-and-a-half, it is essential<br />

that the teach<strong>in</strong>g shall make a direct appeal to the element<br />

of feel<strong>in</strong>g. <strong>The</strong> child must receive the various forms of the letters<br />

<strong>in</strong>to his life of feel<strong>in</strong>g. This is very important. We harden the child’s<br />

nature unduly, we over-strengthen the forces of bone and cartilage<br />

and s<strong>in</strong>ew <strong>in</strong> relation to the rest of the organism, if we teach him to<br />

write mechanically, mak<strong>in</strong>g him trace arbitrary curves and l<strong>in</strong>es for<br />

the letters, mak<strong>in</strong>g use only of his bodily mechanism without call<strong>in</strong>g<br />

upon the eye as well.<br />

If we also call upon the eye, and the eye is of course connected<br />

with the movements of the hand, by develop<strong>in</strong>g the letters <strong>in</strong> an artistic<br />

way, so that the letter does not spr<strong>in</strong>g from merely mechanical<br />

movements of the hand, the eye itself will take pleasure <strong>in</strong> the results<br />

of its own activity. Qualities of the soul are thus brought rightly <strong>in</strong>to<br />

play, and the life of feel<strong>in</strong>g develops at an age when it can best flow<br />

<strong>in</strong>to the physical organism with heal<strong>in</strong>g power.<br />

[Modern Art of Education, 1972, pp. 135-43.]<br />

8. From <strong>The</strong> Essentials of Education (1924)<br />

When we read modern books on embryology, botany, or zoology,<br />

we feel a sense of despair <strong>in</strong> f<strong>in</strong>d<strong>in</strong>g ourselves immediately forced<br />

to plunge <strong>in</strong>to a cold <strong>in</strong>tellectuality. Although the life and the development<br />

of nature are not essentially “<strong>in</strong>tellectual,” we have to

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