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Teaching Language arTs in The WaLdorf schooL

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204<br />

<strong>Language</strong> Arts Compendium<br />

talks with the children ahead of time, so they can enjoy the read<strong>in</strong>g<br />

when it comes. After the read<strong>in</strong>g no more explanations of any k<strong>in</strong>d<br />

should be given. You will agree it would not make sense if I were<br />

now to beg<strong>in</strong> giv<strong>in</strong>g you a lecture <strong>in</strong> Ch<strong>in</strong>ese. You would say, “That<br />

is senseless, because we never learned Ch<strong>in</strong>ese.” But if you all knew<br />

Ch<strong>in</strong>ese when I gave my lecture, you would f<strong>in</strong>d it extremely dull<br />

if afterwards I wanted to expla<strong>in</strong> it all to you. You should have the<br />

same feel<strong>in</strong>g about a piece of read<strong>in</strong>g and do everyth<strong>in</strong>g you can to<br />

make it enjoyable.<br />

Talks such as these about modesty and conceit <strong>in</strong> people— and<br />

affectation, as well—can be developed <strong>in</strong> greater detail than we have<br />

done today, and you must let the children take a lively share. <strong>The</strong>n<br />

you can read them the follow<strong>in</strong>g poem:<br />

What’s gleam<strong>in</strong>g <strong>in</strong> the sunsh<strong>in</strong>e though fast asleep?<br />

Oh, those are t<strong>in</strong>y violets that bloom <strong>in</strong> valley deep.<br />

Bloom quite hidden <strong>in</strong> moss-covered ground,<br />

So that we children no violets have found.<br />

And what’s this little head that stretches silent there?<br />

What whispers <strong>in</strong> the moss so still and quiet here?<br />

Search and you will f<strong>in</strong>d me, search for me still!<br />

Wait, violet, wait, and f<strong>in</strong>d you we will!<br />

– Hofmann von Fallersleben<br />

When you teach children a poem <strong>in</strong> this way, they can enter its<br />

every nuance, and it will be unnecessary to spoil the impression with<br />

commentary and pedantry afterward. This is the method I want to<br />

recommend to you with regard to your treatment of selections for<br />

read<strong>in</strong>g, because it will give you the opportunity to talk over many<br />

th<strong>in</strong>gs that belong <strong>in</strong> your teach<strong>in</strong>g, and further, the children will<br />

have a real feel<strong>in</strong>g of satisfaction when such passages are read. This<br />

then is what I wish to lay upon your hearts about read<strong>in</strong>g.<br />

[Discussions with Teachers, pp. 69-78.]

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