Teaching Language arTs in The WaLdorf schooL
Teaching Language arTs in The WaLdorf schooL
Teaching Language arTs in The WaLdorf schooL
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Writ<strong>in</strong>g<br />
97<br />
of eurythmy, and gett<strong>in</strong>g them to experience the form from out of<br />
their own bodily movements. <strong>The</strong>n what the child runs is reta<strong>in</strong>ed<br />
as the form of the letter. And it is possible to do it <strong>in</strong> yet a third and<br />
a fourth manner. You will f<strong>in</strong>d the same subject taught <strong>in</strong> the most<br />
varied ways <strong>in</strong> the different parallel classes. Why? Well, because it<br />
is not a matter of <strong>in</strong>difference whether the teacher who has to take<br />
a lesson has one temperament or another. <strong>The</strong> lesson can only be<br />
harmonious when there is the right contact between the teacher and<br />
the whole class. Hence every teacher must give his lesson <strong>in</strong> his own<br />
way. And just as life appears <strong>in</strong> manifold variety so can a teach<strong>in</strong>g<br />
founded <strong>in</strong> life take the most varied forms.<br />
Usually, when pedagogic pr<strong>in</strong>ciples are laid down it is expected<br />
that they shall be carried out. <strong>The</strong>y are written down <strong>in</strong> a book. <strong>The</strong><br />
good teacher is he who carries them out punctiliously, 1, 2, 3, etc.<br />
Now I am conv<strong>in</strong>ced that if a dozen men, or even fewer, sit down<br />
together they can produce the most wonderful program for what<br />
should take place <strong>in</strong> education; firstly, secondly, thirdly, etc. People<br />
are so wonderfully <strong>in</strong>telligent nowadays; I am not be<strong>in</strong>g sarcastic,<br />
I really mean it, one can th<strong>in</strong>k out the most splendid th<strong>in</strong>gs <strong>in</strong> the<br />
abstract. But whether it is possible to put <strong>in</strong>to practice what one has<br />
thought out is quite another matter. That is a concern of life. And<br />
when we have to deal with life, I ask you now, life is <strong>in</strong> all of you,<br />
natural life, you are all human be<strong>in</strong>gs, yet you all look different.<br />
No one man’s hair is like another’s. Life displays its variety <strong>in</strong> the<br />
manifold varieties of form. Each man has a different face. If you lay<br />
down abstract pr<strong>in</strong>ciples, you expect to f<strong>in</strong>d the same th<strong>in</strong>g done<br />
<strong>in</strong> every classroom. If your pr<strong>in</strong>ciples are taken from life, you know<br />
that life is various, and that the same th<strong>in</strong>g can be done <strong>in</strong> the most<br />
varied ways. … When the art of education is held as a liv<strong>in</strong>g art, all<br />
pedantry and also every k<strong>in</strong>d of formalism must be avoided. And<br />
education will be true when it is really made <strong>in</strong>to an art, and when<br />
the teacher is made <strong>in</strong>to an artist. It is thus possible for us <strong>in</strong> the<br />
Waldorf School to teach writ<strong>in</strong>g by means of art. <strong>The</strong>n read<strong>in</strong>g can<br />
be learned afterwards almost as a matter of course, without effort. It<br />
comes rather later than is customary, but it comes almost of itself.<br />
[ Spiritual Ground of Education, pp. 61-65.]