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Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

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Read<strong>in</strong>g<br />

173<br />

one or another student has to leave the Waldorf school for another<br />

school dur<strong>in</strong>g this time because of circumstance, one is usually told<br />

that such students are beh<strong>in</strong>d <strong>in</strong> read<strong>in</strong>g and writ<strong>in</strong>g. <strong>The</strong>y may<br />

be considered far ahead <strong>in</strong> artistic subjects, such as <strong>in</strong> draw<strong>in</strong>g or<br />

eurythmy, but these, so we are told, are not generally considered to<br />

be very important.<br />

[<strong>The</strong> Child’s Chang<strong>in</strong>g Consciousness and Waldorf Education, pp. 76, 148.]<br />

7. Read<strong>in</strong>g as a Means of Develop<strong>in</strong>g the Intellect<br />

We should always remember that, dur<strong>in</strong>g that period of the child’s life,<br />

we should always consider the child’s develop<strong>in</strong>g soul forces. Dur<strong>in</strong>g<br />

this time, we make many mistakes by giv<strong>in</strong>g more attention to the<br />

school subjects demanded by life and by the state than we do to the<br />

develop<strong>in</strong>g human be<strong>in</strong>g. Common, everyday th<strong>in</strong>gs, such as read<strong>in</strong>g<br />

and writ<strong>in</strong>g, lack the <strong>in</strong>ner basis of, say, geometry and arithmetic.<br />

<strong>The</strong> fact that we have the language we have is not fundamentally<br />

connected with anyth<strong>in</strong>g external or generic. <strong>The</strong> existence of written<br />

letters doesn’t have much to do with relationships <strong>in</strong> the world,<br />

whereas the existence of a triangle is based on the fact of its three sides,<br />

and that the sum of its angles is 180 degrees. All conventions, such as<br />

read<strong>in</strong>g and writ<strong>in</strong>g, are primarily useful for develop<strong>in</strong>g the <strong>in</strong>tellect<br />

and, <strong>in</strong> particular, reason<strong>in</strong>g. For now, it would be too much to fully<br />

expla<strong>in</strong> that statement <strong>in</strong> a way acceptable to a genu<strong>in</strong>e psychologist,<br />

but those who consider life fully will certa<strong>in</strong>ly see the truth of that<br />

statement. By comparison, everyth<strong>in</strong>g that corresponds to general<br />

relationships <strong>in</strong> the world or appeals to human memory—such as<br />

history or geography—is more connected, oddly enough, with the<br />

feel<strong>in</strong>g forces. It forms feel<strong>in</strong>g. Everyth<strong>in</strong>g we teach young children<br />

about art forms the will. We should teach <strong>in</strong>dividual subjects with<br />

an eye on the develop<strong>in</strong>g human be<strong>in</strong>g and always remember that<br />

we form th<strong>in</strong>k<strong>in</strong>g with one th<strong>in</strong>g, feel<strong>in</strong>g with another, and will<strong>in</strong>g<br />

with yet another th<strong>in</strong>g. <strong>The</strong> important th<strong>in</strong>g is the develop<strong>in</strong>g human<br />

be<strong>in</strong>g, not any particular collection of knowledge.<br />

When we use these pr<strong>in</strong>ciples, children learn someth<strong>in</strong>g seldom<br />

learned these days. <strong>The</strong>y learn many th<strong>in</strong>gs today, such as geography,<br />

arithmetic, draw<strong>in</strong>g, and so on, but I don’t want to speak about them.

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