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Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

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<strong>Language</strong> Arts Curriculum 1–8<br />

13<br />

speak<strong>in</strong>g, we make a special po<strong>in</strong>t of not allow<strong>in</strong>g any mistakes <strong>in</strong><br />

the use of the subjunctive, so that they assimilate a strong feel<strong>in</strong>g for<br />

this <strong>in</strong>ner dimension of the language. A child is supposed to say, “I<br />

am tak<strong>in</strong>g care that my little sister learn (subjunctive) how to walk,”<br />

and not, “I am tak<strong>in</strong>g care that my little sister learns to walk.” [<strong>The</strong>se<br />

dist<strong>in</strong>ctions are not as readily detected <strong>in</strong> current English. In Ste<strong>in</strong>er’s<br />

example, the difference is between lerne and lernt; the first is perhaps<br />

closest to the process of learn<strong>in</strong>g (not yet fact), the second to hav<strong>in</strong>g<br />

learned (fact). Trans.]<br />

We now make the transition from personal letters to simple,<br />

concrete bus<strong>in</strong>ess compositions deal<strong>in</strong>g with th<strong>in</strong>gs the children have<br />

already learned about elsewhere. Even as early as the third grade we<br />

can extend what we say about the meadows and woods and so on to<br />

bus<strong>in</strong>ess relationships, so that later on the subject matter is already<br />

available for compos<strong>in</strong>g simple bus<strong>in</strong>ess letters.<br />

In the seventh grade, we will aga<strong>in</strong> have to cont<strong>in</strong>ue with what we<br />

did <strong>in</strong> the sixth grade, but now we also attempt to have the children<br />

develop an appropriate and flexible grasp of how to express wish<strong>in</strong>g,<br />

astonishment, admiration, and so on <strong>in</strong> how they speak. We try to<br />

teach the children to form sentences <strong>in</strong> accordance with the <strong>in</strong>ner<br />

configuration of these feel<strong>in</strong>gs. However, we do not need to mutilate<br />

poems or anyth<strong>in</strong>g else <strong>in</strong> order to demonstrate how someone<br />

or other structured a sentence to express wish<strong>in</strong>g. We approach it<br />

directly by hav<strong>in</strong>g the children themselves express wishes and shape<br />

their sentences accord<strong>in</strong>gly. We then have them express admiration<br />

and form the sentences accord<strong>in</strong>gly, or help them to construct the<br />

sentences. To further educate their ability to see the <strong>in</strong>ner flexibility of<br />

language, we then compare their wish<strong>in</strong>g sentences to their admir<strong>in</strong>g<br />

ones. What has been presented <strong>in</strong> science will already have enabled<br />

the children to compose simple characterizations of the wolf, the lion,<br />

or the bee, let’s say. At this stage, alongside such exercises, which are<br />

directed more toward the universally human element <strong>in</strong> education,<br />

we must especially foster the children’s ability to formulate practical<br />

matters of bus<strong>in</strong>ess. <strong>The</strong> teacher must be concerned with f<strong>in</strong>d<strong>in</strong>g out<br />

about practical bus<strong>in</strong>ess matters and gett<strong>in</strong>g them <strong>in</strong>to the student’s<br />

heads <strong>in</strong> some sensible fashion.

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