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Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

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290<br />

<strong>Language</strong> Arts Compendium<br />

lies <strong>in</strong> grammar, but here, too, you can proceed very circumspectly.<br />

This morn<strong>in</strong>g <strong>in</strong> our study of the human be<strong>in</strong>g I said that <strong>in</strong> ord<strong>in</strong>ary<br />

life we form conclusions and then proceed to judgment and concept.<br />

[See lecture 9, <strong>The</strong> Foundations of Human Experience.] Although you<br />

cannot present the children directly with this logical method, it will<br />

underlie your teach<strong>in</strong>g of grammar. Particularly with the help of the<br />

lessons <strong>in</strong> foreign languages, you will do well to discuss matters of<br />

the world with the children <strong>in</strong> a way that will allow grammar lessons<br />

to arise organically. It is purely a matter of structur<strong>in</strong>g such a th<strong>in</strong>g<br />

properly. Start by shap<strong>in</strong>g a complete sentence and not more than<br />

a sentence. Po<strong>in</strong>t to what is go<strong>in</strong>g on outside—at this very moment<br />

you would have an excellent example.<br />

You could very well comb<strong>in</strong>e grammar with a foreign language<br />

by lett<strong>in</strong>g the children express <strong>in</strong> Lat<strong>in</strong> and French and German, for<br />

example, “It is ra<strong>in</strong><strong>in</strong>g.” Start by elicit<strong>in</strong>g from the children the statement<br />

“It is ra<strong>in</strong><strong>in</strong>g.” <strong>The</strong>n po<strong>in</strong>t out to them (they are, after all, older<br />

children) that they are express<strong>in</strong>g a pure activity when they say: “It<br />

ra<strong>in</strong>s.” Now you can proceed to another sentence; you can <strong>in</strong>clude, if<br />

you like, foreign languages, for you will save a great deal of time and<br />

energy if you also work this method <strong>in</strong>to the foreign language lesson.<br />

You say to the children: “Instead of the scene outside <strong>in</strong> the ra<strong>in</strong>,<br />

imag<strong>in</strong>e to yourselves a meadow <strong>in</strong> spr<strong>in</strong>gtime.” Lead the children<br />

until they say of that meadow, “It is green<strong>in</strong>g, it greens.” And then<br />

take them further until they transform the sentence “It is green<strong>in</strong>g,”<br />

<strong>in</strong>to the sentence “<strong>The</strong> meadow is green<strong>in</strong>g.” And, f<strong>in</strong>ally, lead them<br />

still further until they can transform the sentence “<strong>The</strong> meadow is<br />

green<strong>in</strong>g,” <strong>in</strong>to the concept of a “green meadow.”<br />

If you stimulate these thoughts with<strong>in</strong> the children one after the<br />

other <strong>in</strong> your language lessons, you will not be pedantically teach<strong>in</strong>g<br />

them syntax and logic. You will be guid<strong>in</strong>g the whole soul constellation<br />

of the children <strong>in</strong> a certa<strong>in</strong> direction; you will be teach<strong>in</strong>g them<br />

<strong>in</strong> a discreet way what should arise <strong>in</strong> their souls. You <strong>in</strong>troduce<br />

sentences beg<strong>in</strong>n<strong>in</strong>g “It” or “It is” to the children, sentences that<br />

really live only <strong>in</strong> the doma<strong>in</strong> of activity and exist as sentences <strong>in</strong><br />

themselves, without any subject or predicate. <strong>The</strong>se are sentences that<br />

belong to the liv<strong>in</strong>g realm of conclusions—they are, <strong>in</strong>deed, abbrevi-

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