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Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

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38<br />

<strong>Language</strong> Arts Compendium<br />

<strong>The</strong>se external processes are always the outer expression of someth<strong>in</strong>g<br />

<strong>in</strong>ner, regardless of how strange this may seem to a conventional<br />

world-view. <strong>The</strong> fact that you are present to teach these children from<br />

the Waldorf factory, and the fact that you will do what is necessary<br />

<strong>in</strong> this regard, <strong>in</strong>dicates that this group of teachers and this group<br />

of children belong together <strong>in</strong> terms of karma. You become the appropriate<br />

teacher for these children because <strong>in</strong> previous times you<br />

developed aversions toward them. Now you free yourself from these<br />

aversions by educat<strong>in</strong>g their th<strong>in</strong>k<strong>in</strong>g. And we develop aff<strong>in</strong>ities <strong>in</strong><br />

the right way by aid<strong>in</strong>g the appropriate development of the will.<br />

Be very clear about this; you can best penetrate the twofold<br />

human be<strong>in</strong>g as discussed <strong>in</strong> our sem<strong>in</strong>ar. But you must try to<br />

understand every aspect of the human be<strong>in</strong>g. Through what we attempted<br />

<strong>in</strong> the sem<strong>in</strong>ars, you will become a good educator of only<br />

the children’s th<strong>in</strong>k<strong>in</strong>g. For the will life, you will be a good educator<br />

by try<strong>in</strong>g to surround each <strong>in</strong>dividual with real aff<strong>in</strong>ity. <strong>The</strong>se th<strong>in</strong>gs<br />

belong to education: aversion enables us to comprehend, and aff<strong>in</strong>ity<br />

enables us to love. S<strong>in</strong>ce our bodies have centers where aff<strong>in</strong>ity and<br />

aversion meet, this affects our social <strong>in</strong>teraction as expressed <strong>in</strong> the<br />

process of teach<strong>in</strong>g. I ask you to th<strong>in</strong>k this through and take it <strong>in</strong>to<br />

your feel<strong>in</strong>gs so that we can cont<strong>in</strong>ue tomorrow.<br />

[Practical Advice to Teachers, pp. 19-30.]<br />

10. <strong>The</strong> Concrete and Abstract Elements of <strong>Language</strong><br />

When we th<strong>in</strong>k <strong>in</strong> ord<strong>in</strong>ary life it is as if th<strong>in</strong>k<strong>in</strong>g, or form<strong>in</strong>g mental<br />

images, cont<strong>in</strong>ually escaped us. When we bump <strong>in</strong>to someth<strong>in</strong>g or<br />

feel someth<strong>in</strong>g with our f<strong>in</strong>gers—a piece of silk or velvet, for example—we<br />

immediately perceive that we have encountered that object,<br />

and we can feel its shape by touch<strong>in</strong>g its surface. <strong>The</strong>n we know<br />

that as human be<strong>in</strong>gs, we have connected with our environment.<br />

When we th<strong>in</strong>k, however, we do not seem to touch objects around<br />

us <strong>in</strong> this way. Once we have thought about someth<strong>in</strong>g and made<br />

it our own, we can say that we have “apprehended,” or “grasped” it<br />

(begreifen). What do we mean by this? If external objects are alien to<br />

us—which is generally true for our th<strong>in</strong>k<strong>in</strong>g—then we do not say<br />

we have grasped them. If, for example, a piece of chalk is ly<strong>in</strong>g there,

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