22.02.2014 Views

Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Read<strong>in</strong>g<br />

183<br />

Here we have a significant and important phenomenon. If you<br />

look at language, not just from an external or utilitarian perspective<br />

(s<strong>in</strong>ce language today has become primarily a way of transmitt<strong>in</strong>g<br />

thoughts or messages, and words are hardly more than symbols of<br />

outer th<strong>in</strong>gs), and if you return to the soul element liv<strong>in</strong>g <strong>in</strong> the<br />

word—liv<strong>in</strong>g <strong>in</strong> language as a whole —you will f<strong>in</strong>d the way back<br />

to the true nature of the so-called sound; every sound with a quality<br />

of the consonant has an entirely different character from a vowel<br />

sound. [In several European languages the vowel sound added to a<br />

consonantal letter is pronounced either before or after the consonant<br />

(that is, em, but dee). It is conceivable that here the stenographer may<br />

have omitted the word “often,” and the text may have read “In Middle<br />

Europe today we often make the sound of a letter by proceed<strong>in</strong>g from<br />

the vowel to the consonant. . . .” — Trans.]<br />

As you know, there are many different theories expla<strong>in</strong><strong>in</strong>g the<br />

orig<strong>in</strong> of language. (This is a situation similar to photographs taken<br />

from different angles.) Among others, there is the so-called Bow-<br />

Wow <strong>The</strong>ory, which represents the view that words imitate sounds<br />

that come from different be<strong>in</strong>gs or objects. Accord<strong>in</strong>g to this theory,<br />

when people first began to speak, they imitated characteristic external<br />

sounds. For example, they heard a dog bark<strong>in</strong>g, “bow-wow.” If<br />

they wanted to express a similar soul mood they produced a similar<br />

sound. No one can refute such an idea. On the contrary, there are<br />

many valid reasons to support the Bow-Wow <strong>The</strong>ory. As long as one<br />

argues only from this particular premise, it is <strong>in</strong>disputable. But life<br />

does not consist of proofs and refutations; life is full of liv<strong>in</strong>g movement,<br />

transformation, liv<strong>in</strong>g metamorphosis. What is correct <strong>in</strong> one<br />

particular situation can be wrong <strong>in</strong> another, and vice versa. Life has<br />

to be comprehended <strong>in</strong> all its mobility.<br />

As you may know, there is another theory, called the D<strong>in</strong>g-Dong<br />

<strong>The</strong>ory, whose adherents strongly oppose the bow-wow theory. Accord<strong>in</strong>g<br />

to this second theory, the orig<strong>in</strong> of language is expla<strong>in</strong>ed <strong>in</strong><br />

the follow<strong>in</strong>g way: When a bell is struck, the ensu<strong>in</strong>g sound is caused<br />

by the specific constitution of its metal. A similar mutual relationship<br />

between object and sound is also ascribed to human speech. <strong>The</strong><br />

D<strong>in</strong>g-Dong <strong>The</strong>ory represents more of a feel<strong>in</strong>g <strong>in</strong>to the materiality

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!