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Teaching Language arTs in The WaLdorf schooL

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306<br />

<strong>Language</strong> Arts Compendium<br />

subject. That is someth<strong>in</strong>g we can consider an ideal, namely to br<strong>in</strong>g<br />

other th<strong>in</strong>gs <strong>in</strong>. For example, today I wanted to tease your children <strong>in</strong><br />

the third grade with “hurtig toch.”[<strong>The</strong> Norwegian term for express<br />

tra<strong>in</strong>. Ste<strong>in</strong>er would have made a pun by say<strong>in</strong>g hurtig toch quickly,<br />

which sounds like hör’ dich doch—German for “Listen to yourself,”<br />

or “Listen to how you sound.” Ste<strong>in</strong>er lectured <strong>in</strong> Norway before<br />

the war and returned to lecture there <strong>in</strong> 1921.—Trans.] That means<br />

“express tra<strong>in</strong>.” That is what I mean by do<strong>in</strong>g th<strong>in</strong>gs with children<br />

between the l<strong>in</strong>es.<br />

[Faculty Meet<strong>in</strong>gs with Rudolf Ste<strong>in</strong>er I, p. 82.]<br />

17. Enliven<strong>in</strong>g the Study of Grammar and Punctuation<br />

<strong>The</strong> ma<strong>in</strong> problem now is that if the children go to their f<strong>in</strong>al exam<strong>in</strong>ations<br />

with the punctuation they now know, it could be very<br />

bad. <strong>The</strong>y use no punctuation at all <strong>in</strong> the 9b class. <strong>Teach<strong>in</strong>g</strong> them<br />

punctuation depends upon discuss<strong>in</strong>g the structure of a sentence <strong>in</strong><br />

an <strong>in</strong>terest<strong>in</strong>g way. That is someth<strong>in</strong>g you can do well <strong>in</strong> the course<br />

of teach<strong>in</strong>g them literature.<br />

For example, if you beg<strong>in</strong> with older German language forms,<br />

you can show them <strong>in</strong> an <strong>in</strong>trigu<strong>in</strong>g way how relative clauses arose<br />

slowly through the transformation of writ<strong>in</strong>g <strong>in</strong>to Lat<strong>in</strong> structure.<br />

That could provide the basis for study<strong>in</strong>g commas. You can teach<br />

the use of commas when you first show the children that they need<br />

to enclose every relative clause with<strong>in</strong> commas. It is <strong>in</strong>terest<strong>in</strong>g to<br />

discuss relative clauses because they did not exist <strong>in</strong> older German.<br />

<strong>The</strong>y also do not exist <strong>in</strong> dialect. You could go back to the Song of<br />

the Niebelungs and so forth and show how relative clauses began to<br />

come <strong>in</strong>to the language and how it then became necessary to br<strong>in</strong>g<br />

this logic <strong>in</strong>to the language. After you have shown how relative<br />

clauses are enclosed with commas, you can go <strong>in</strong>to a more thorough<br />

discussion of the concept of clauses. <strong>The</strong> children then need to learn<br />

that every k<strong>in</strong>d of clause is set off by some sort of punctuation. <strong>The</strong><br />

other th<strong>in</strong>gs are not so terribly important.<br />

From there, you can go on to show how elements of thought<br />

developed <strong>in</strong> language, and thus arrive at the semicolon, which is

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