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Teaching Language arTs in The WaLdorf schooL

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Writ<strong>in</strong>g<br />

83<br />

they try to lead the children from draw<strong>in</strong>g to writ<strong>in</strong>g by cutt<strong>in</strong>g the<br />

B <strong>in</strong>to separate l<strong>in</strong>es and curves:<br />

<strong>The</strong>y advocate an abstract version of what we are try<strong>in</strong>g to do<br />

concretely. <strong>The</strong>se educators are quite right <strong>in</strong> see<strong>in</strong>g that it would be<br />

practical to proceed from draw<strong>in</strong>g to writ<strong>in</strong>g, but people today are<br />

too entangled <strong>in</strong> the deadwood of our culture to hit upon a clearly<br />

liv<strong>in</strong>g way of go<strong>in</strong>g about th<strong>in</strong>gs. Let me warn you at this po<strong>in</strong>t not<br />

to be taken <strong>in</strong> by all sorts of modern endeavors that might tempt<br />

you to say that efforts are be<strong>in</strong>g made here and there to do this and<br />

that. For you will always discover that the <strong>in</strong>tentions do not have<br />

very deep foundations. Somehow people are constantly impelled to<br />

attempt such th<strong>in</strong>gs, but they will not succeed until humank<strong>in</strong>d has<br />

accepted spiritual science as a part of culture. We can always make<br />

a connection between the human be<strong>in</strong>g and the surround<strong>in</strong>g world<br />

by teach<strong>in</strong>g writ<strong>in</strong>g <strong>in</strong> an organic way and teach<strong>in</strong>g read<strong>in</strong>g by start<strong>in</strong>g<br />

with read<strong>in</strong>g handwrit<strong>in</strong>g. It is natural to teach<strong>in</strong>g that there is<br />

a certa<strong>in</strong> yearn<strong>in</strong>g for complete freedom, and we should not dismiss<br />

this element. Notice how freedom flows <strong>in</strong>to this discussion of how<br />

we might prepare ourselves to be teachers; our discussion <strong>in</strong>tr<strong>in</strong>sically<br />

has someth<strong>in</strong>g to do with freedom. I have po<strong>in</strong>ted out that you<br />

should not fetter yourselves by toil<strong>in</strong>g away at study<strong>in</strong>g how writ<strong>in</strong>g<br />

came <strong>in</strong>to be<strong>in</strong>g dur<strong>in</strong>g the transition from Egyptian to Phoenician<br />

culture, that you must develop your own soul capacities. What can be<br />

done by this method of teach<strong>in</strong>g will differ from teacher to teacher.<br />

Not everyone can use a danc<strong>in</strong>g bear; someone might use a better<br />

example for the same purpose. One teacher, however, can achieve<br />

the f<strong>in</strong>al result just as well as another. All teachers give of themselves<br />

when they teach. In this, their freedom rema<strong>in</strong>s <strong>in</strong>violate. <strong>The</strong> more<br />

teachers desire to preserve their freedom, the more they will be able<br />

to enter <strong>in</strong>to their teach<strong>in</strong>g by giv<strong>in</strong>g themselves.<br />

∩<br />

<br />

But one th<strong>in</strong>g that children do not want—certa<strong>in</strong>ly not dur<strong>in</strong>g<br />

the change of teeth someth<strong>in</strong>g they will reject with strong <strong>in</strong>ner opposition—is<br />

to have to draw on a piece of paper, or on the chalkboard,

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