22.02.2014 Views

Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Writ<strong>in</strong>g<br />

109<br />

derstands the physical body through pure observation and <strong>in</strong>tellect,<br />

the etheric body through shap<strong>in</strong>g activity, the astral body through<br />

the concept of music, and the I-be<strong>in</strong>g through <strong>in</strong>sight <strong>in</strong>to the true<br />

nature of speech, what practical application does this have?<br />

Certa<strong>in</strong>ly, if we must describe education and <strong>in</strong>struction as a<br />

whole—as we have for Waldorf methods <strong>in</strong> these lectures— then we<br />

would have to say that the most important aspect of a teacher’s perspective<br />

on life and the world is not what we generally understand as<br />

a “worldview”—that would be completely theoretical. Instead, it is an<br />

aspect that, as a soul force, can enter the whole activity of the human<br />

be<strong>in</strong>g. Any teacher who tries to acquire the pr<strong>in</strong>ciples of education<br />

from today’s recognized knowledge of the human be<strong>in</strong>g would have<br />

to look elsewhere for the necessary <strong>in</strong>spiration. Hence the cont<strong>in</strong>ual<br />

references to educational ideals that, however conv<strong>in</strong>c<strong>in</strong>g they appear,<br />

always rema<strong>in</strong> <strong>in</strong>effective, because they are rooted <strong>in</strong> abstractions.<br />

Nevertheless, true <strong>in</strong>sight that penetrates the nature of the world<br />

and the human be<strong>in</strong>g will, by its very nature, k<strong>in</strong>dle <strong>in</strong>spiration <strong>in</strong><br />

the human heart. While practic<strong>in</strong>g their profession, teachers can<br />

always draw <strong>in</strong>spiration from the feel<strong>in</strong>g of their relationship to the<br />

world and to their own be<strong>in</strong>g—like artists, whose work seems to live<br />

<strong>in</strong> their very marrow. <strong>The</strong> artist doesn’t need to go anywhere else for<br />

<strong>in</strong>spiration—it comes from the th<strong>in</strong>g itself. Similarly, the <strong>in</strong>spiration<br />

found by teachers <strong>in</strong> their world-view, experienced <strong>in</strong>ternally<br />

and constantly renewed, is carried <strong>in</strong>to the soul constitution of the<br />

children entrusted to them. Such <strong>in</strong>spiration lives <strong>in</strong> everyth<strong>in</strong>g the<br />

teacher does at school.<br />

Those who have <strong>in</strong>sight <strong>in</strong>to the human be<strong>in</strong>g have the ability to<br />

perceive that a musical element flows <strong>in</strong>to harmony with the formative<br />

processes <strong>in</strong> the <strong>in</strong>ner be<strong>in</strong>g of the child dur<strong>in</strong>g the elementary<br />

years, between the change of teeth and puberty. Such a person will<br />

never be likely to stray from the right way of teach<strong>in</strong>g, writ<strong>in</strong>g, and<br />

read<strong>in</strong>g to children. <strong>The</strong>y have a liv<strong>in</strong>g understand<strong>in</strong>g that writ<strong>in</strong>g—<br />

particularly as described here—mobilizes the whole be<strong>in</strong>g; it uses the<br />

arms and hands and permeates them with spirit that exercises the<br />

whole person. <strong>The</strong>se are the very aspects of the human be<strong>in</strong>g that<br />

will be perceived <strong>in</strong> a liv<strong>in</strong>g way if we beg<strong>in</strong> with a view of the world

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!