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Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

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252<br />

<strong>Language</strong> Arts Compendium<br />

which may not be so obvious. We should learn to observe <strong>in</strong> children<br />

between the change of teeth and puberty, their efforts at learn<strong>in</strong>g to<br />

speak and s<strong>in</strong>g, their gaze, physiognomy, f<strong>in</strong>ger movements, stance,<br />

and gait; with reverence, we should observe, grow<strong>in</strong>g from the very<br />

center of very small children, unformed facial features that assume<br />

a beautiful form; we should observe how our actions around small<br />

children are translated <strong>in</strong>to their develop<strong>in</strong>g expressions and body<br />

gestures. When we can see all this with <strong>in</strong>ner reverence, as teachers<br />

we atta<strong>in</strong> someth<strong>in</strong>g that cont<strong>in</strong>ually spr<strong>in</strong>gs from uncharted depths,<br />

an answer <strong>in</strong> feel<strong>in</strong>g to a feel<strong>in</strong>g question.<br />

<strong>The</strong> question that arises—which need not come <strong>in</strong>to the conscious<br />

<strong>in</strong>tellect—is this: What happens to all that I do while teach<strong>in</strong>g<br />

a child to speak or s<strong>in</strong>g? <strong>The</strong> child’s answer is: “I receive it,” or, “I<br />

reject it.” In body gestures, physiognomy, and facial expressions we<br />

see whether what we do enters and affects the child, or if it disappears<br />

<strong>in</strong>to th<strong>in</strong> air, pass<strong>in</strong>g through the child as though noth<strong>in</strong>g<br />

were assimilated. Much more important than know<strong>in</strong>g all the rules<br />

of teach<strong>in</strong>g—that this or that must be done <strong>in</strong> a certa<strong>in</strong> way—is<br />

acquir<strong>in</strong>g this sensitivity toward the child’s reflexes, and an ability<br />

to observe the child’s reactions to what we do. It is, therefore, an essential<br />

<strong>in</strong>tuitive quality that must develop <strong>in</strong> the teacher’s relationship<br />

with the children. Teachers must also learn to read the effects of their<br />

own activity. Once this is fully appreciated, people will recognize the<br />

tremendous importance of <strong>in</strong>troduc<strong>in</strong>g music <strong>in</strong> the right way <strong>in</strong>to<br />

education dur<strong>in</strong>g the elementary years and truly understand what<br />

music is for the human be<strong>in</strong>g.<br />

[<strong>The</strong> Essentials of Education, pp. 43-45.]<br />

20. Speech <strong>in</strong> Relation to Right Breath<strong>in</strong>g<br />

In the same way, speak<strong>in</strong>g serves to regulate the human breath<strong>in</strong>g<br />

rhythm. In school we need to work so that the children learn how to<br />

br<strong>in</strong>g their speech <strong>in</strong>to a peaceful regularity. We need to require that<br />

the children speak syllable for syllable, that they speak slowly and that<br />

they properly form the syllables so that noth<strong>in</strong>g of the word is left out.<br />

<strong>The</strong> children need to grow accustomed to proper speech and verse,

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