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Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

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<strong>Language</strong><br />

49<br />

important is that these sentences correspond to the child’s actual<br />

understand<strong>in</strong>g. <strong>The</strong> sentences correspond to that feel<strong>in</strong>g <strong>in</strong> children<br />

that exists <strong>in</strong> people who are not educated, and where the soul feels<br />

itself to be at one with the external world. A differentiation between<br />

the I and the external world has not yet been developed. If I say, for<br />

example, “It is ra<strong>in</strong><strong>in</strong>g,” this is based upon an unconscious feel<strong>in</strong>g that<br />

what is occurr<strong>in</strong>g as an activity outside of myself cont<strong>in</strong>ues <strong>in</strong> that<br />

space with<strong>in</strong> my sk<strong>in</strong>, and that my I does not confront the external<br />

world. When say<strong>in</strong>g someth<strong>in</strong>g like “It is ra<strong>in</strong><strong>in</strong>g” or “It is lightn<strong>in</strong>g,”<br />

we do not feel ourselves separate from the world. In a certa<strong>in</strong> sense,<br />

these subjectless sentences are the orig<strong>in</strong>al sentences of human nature.<br />

<strong>The</strong>y are simply the first step of language development which arrests<br />

an activity. Orig<strong>in</strong>ally, we perceived all of the world as an activity,<br />

someth<strong>in</strong>g we do not consider enough. In a certa<strong>in</strong> sense, <strong>in</strong> our<br />

youngest childhood, we see everyth<strong>in</strong>g substantial as a substantiated<br />

verb and accept it simply as it is. Later, what we become aware of,<br />

what is active, is what is active and then occupies our own activity.<br />

Now you might say that contradicts the fact that children first say<br />

“Papa” or someth<strong>in</strong>g similar. That is not at all a contradiction, s<strong>in</strong>ce<br />

<strong>in</strong> speak<strong>in</strong>g the series of sounds, the child br<strong>in</strong>gs <strong>in</strong>to life that activity<br />

which the correspond<strong>in</strong>g person presents to the child.<br />

Learn<strong>in</strong>g to speak is at first the enliven<strong>in</strong>g of an activity whose<br />

substantiation occurs only afterwards. This is someth<strong>in</strong>g that, when<br />

we look at dialect, we can certa<strong>in</strong>ly take <strong>in</strong>to account. You can attempt<br />

to feel that by hav<strong>in</strong>g a child say someth<strong>in</strong>g and then try<strong>in</strong>g<br />

to feel that with<strong>in</strong> yourself. <strong>The</strong> words <strong>in</strong> dialect are such that they<br />

are extremely close to what lives <strong>in</strong> the gesture that accompanies the<br />

word <strong>in</strong> dialect. To a much greater extent dialect words require the<br />

person to participate, to live <strong>in</strong>to the word. By feel<strong>in</strong>g the word <strong>in</strong><br />

dialect you can determ<strong>in</strong>e what is an abstraction, and what the subject<br />

and the predicate are. <strong>The</strong> predicate is derived from the activity,<br />

whereas the subject is actually more of an <strong>in</strong>tellectual abstraction of<br />

the activity. When we have children speak sentences <strong>in</strong> dialect and we<br />

then consider the pictures they provide us with, and we can see those<br />

as represent<strong>in</strong>g what human be<strong>in</strong>gs actually feel when we go on to<br />

develop the rules of grammar, we are us<strong>in</strong>g <strong>in</strong>struction <strong>in</strong> grammar<br />

and sentence structure to help the child to awaken.

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