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Teaching Language arTs in The WaLdorf schooL

Teaching Language arTs in The WaLdorf schooL

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262<br />

<strong>Language</strong> Arts Compendium<br />

of no consequence. <strong>The</strong> tra<strong>in</strong><strong>in</strong>g of memory can be accomplished <strong>in</strong><br />

subjects other than storytell<strong>in</strong>g, as I will describe.<br />

29. Temperament and Voice Range<br />

[K<strong>in</strong>gdom of Childhood, pp. 63-65.]<br />

Dr. Ste<strong>in</strong>er: <strong>The</strong> teachers will understand their students better because<br />

each teacher will rema<strong>in</strong> with his or her class. We must cont<strong>in</strong>ue to<br />

work <strong>in</strong> this direction and use those th<strong>in</strong>gs we discussed <strong>in</strong> the teachers’<br />

sem<strong>in</strong>ar. When you can properly judge a child’s temperament,<br />

everyth<strong>in</strong>g will come of itself. You should work toward reflect<strong>in</strong>g<br />

the child’s temperament <strong>in</strong> the sound of your voice when you call<br />

the child.<br />

A teacher: I believe I have perceived a relationship between the phlegmatic<br />

children and a deep voice, the sangu<strong>in</strong>e children and a middle<br />

tone, and a higher voice with the cholerics. Is that correct?<br />

Dr. Ste<strong>in</strong>er: That is certa<strong>in</strong>ly true with the first two. <strong>The</strong> question<br />

regard<strong>in</strong>g the higher voices is rather <strong>in</strong>terest<strong>in</strong>g. In general, it is true<br />

that phlegmatics have lower voices and the melancholic and sangu<strong>in</strong>e<br />

children, middle tones. <strong>The</strong> sangu<strong>in</strong>e children are among the highest<br />

voices. <strong>The</strong> choleric children spread out over all three. <strong>The</strong>re must be<br />

some particular reason. Do you th<strong>in</strong>g that tenors are mostly choleric?<br />

Certa<strong>in</strong>ly on the stage. <strong>The</strong> choleric element spreads out everywhere.<br />

[Faculty Meet<strong>in</strong>gs with Rudolf Ste<strong>in</strong>er, pp. 72, 90.]<br />

30. Speech Exercises for Teachers from Discussions with Teachers<br />

Rudolf Ste<strong>in</strong>er: It is most important that, along with all our other<br />

work, we should cultivate clear articulation. This has a k<strong>in</strong>d of <strong>in</strong>fluence,<br />

a certa<strong>in</strong> effect. I have here some sentences that I formulated<br />

for another occasion; they have no especially profound mean<strong>in</strong>g, but<br />

are constructed so that the speech organs are activated <strong>in</strong> every k<strong>in</strong>d<br />

of movement, organically. I would like you to pass these sentences<br />

around and repeat them <strong>in</strong> turn without embarrassment so that by<br />

constant practice they may make our speech organs flexible; we can<br />

have these organs do gymnastics, so to speak. Mrs. Ste<strong>in</strong>er will say

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