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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 107 -<br />

age. She was the "initial girl-child" without whom<br />

"there might have been no Lolita at all" (11). It was<br />

during that summer, he argues, "that the rift in my<br />

life began" (15). He cannot get over the memory of<br />

their unfulfilled, frustrated romance; the memory of<br />

her "honey-coloured skin", "brown bobbed hair", "long<br />

lashes" (14), of her "musky perfume" (17) and the memory<br />

of their crudely interrupted love-making haunts him.<br />

Long after her death his thoughts. still seem to be coloured<br />

by hers. Such an impression has their short unhappy<br />

romance left on him, and such a shock has her<br />

death been that no other romance is possible <strong>for</strong> him.<br />

it takes him fully twenty-five years, during which he<br />

struggles with his perversion and with actual insanity,<br />

be<strong>for</strong>e the spell of Annabel is broken, and this happens<br />

at Humbert's first sight of Lolita. In her he finds<br />

everything he loved in-Annabel, the same "bright beauty"<br />

(41), "the same frail, honeyhued shoulders, the same<br />

silky supple bare back, the same chestnut head of hair"<br />

(40). She is so much "the same child" (40) that, after<br />

the first shock of passionate recognition, Annabel and<br />

Lolita seem to merge into one, or, as Humbert puts it,<br />

"... I broke [Annabel's]<br />

spell by incarnating her in<br />

another" (17). He makes it all sound very much like a<br />

case history of the Freudian kind. He traces not only<br />

his nympholepsy and the long years of struggling<br />

against this predicament back to the frustration in his<br />

youth, but he sees his very discovery of Lolita and his<br />

subsequent involvement with her as a "fatal consequence"<br />

of. that experience in his ". tortured past" (41).<br />

The reader who is acquainted with <strong>Nabokov's</strong> abhor-

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